Acting
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Vera de Almeida Barreto highlights her choices as a woman dedicated to family, sacrificing herself to support her husband's career and raise their three children. Upon discovering Lourenço's affair with lawyer Daniela Lopes (Rita Salema), a younger woman, Vera reevaluates her life, questioning her role as a woman and facing a lack of support from her children in this challenging situation. The plot becomes even more complex when Vera falls in love with a younger man, challenging societal norms and exposing the double standards surrounding age differences in relationships.
Pedro e InĂŞs is a Portuguese television series first aired on RTP1 in 2005, based on the story of Peter I of Portugal and InĂŞs de Castro.
According to the book Journal Particulier de Paul LĂ©autaud, the love story that was born between him and Marie D., whom he met at the Mercure de France in 1922, on the occasion of an article she wrote to appear.
When the Portuguese police began to investigate, in 1967, an illegal prostitution network, they ended up stumbling upon a huge secret that could shake the foundations of the republican regime: a select group of prostitutes who organized parties with teenage girls to secretly satisfy the sexual desires of bankers, politicians, ministers, aristocrats and powerful businessmen: the Ballet Rose Case.
VIEIRARPAD begun with the correspondence between the couple Maria Helena Vieira da Silva and Arpad Szènes, between 1932-1961. The letters and the intimacy of their words are pretext for the exploration of an equally intimate visual journey
When an actor assists to the premiere of the experimental B-movie he stars in, film blends with real life, turning it into an actual thriller.
A theatre having national as part of its name, at the top of a square, reflecting a country’s history. But which one? This is a voyage through the various narratives about D. Maria II National Theatre, forged through the intentions of the several regimes that intended to convey their own ideologies within the theatre’s mission. This is also the story of those who fought against it, opposed the institution and became part of it. How can one become heir of these stories, even if never having set foot inside.
