David Bursztein

The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.

After nearly two decades of legendary criminal feats, making him France's most notorious criminal while simultaneously feeding his desire for media attention and public adoration, Mesrine becomes increasingly paranoid and isolated, leading to a dramatic confrontation with the law that ultimately seals his fate as the nation's most infamous public enemy.

At 45, divorced, unemployed and father of two children, Franois Morot realizes that he can no longer support the society in which he lives and decides to leave everything.

More than just an abbreviated form of "La Belle Noiseuse", Rivette re-cut his footage with some important differences in point of view - this one being more from Marianne's point of view

Bruno's girlfriend, who lives in another town, doesn't believe he loves her. Therefore, he decides to prove his love by doing something "crazy" and ends up hijacking a school bus full of children at gunpoint to go see her

Sémione is a petty, egotistical, everyman who is transformed by the successive trials he undergoes. It's the rule of vaudeville that sets the wheels in motion: small causes have big effects. An absurd misunderstanding convinces the other characters that Semione is about to commit suicide. Their sudden interest in him makes the prospect alluring. But as he is about to commit suicide, he sinks body and soul into the Hamlétian vertigo of being and nothingness.

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