Alfredo Gurrola
Directing
Biography
Alfredo Gurrola González was born in Mexico City on August 11, 1943. In 1969 he made his first short film in 8 mm Tercer Suspiro, with which he won the Luis Buñuel prize in I Independent Film Competition. At the same time, he starts as an assistant theater director and actor.
Known For
Stories about people who get into problems who use the help of Virgin Mary and where a rose appears and their problems are solved.
La rosa de Guadalupe
No description available.
Un rostro en mi pasado
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Al Filo de la Muerte
Apuesta por un Amor is a Mexican telenovela produced by Angelli Nesma Medina for Televisa in 2004. Patricia Manterola and Juan Soler starred as the protagonists, while Alejandra Ávalos, Roberto Ballesteros and Fabián Robles starred as the antagonists.
Apuesta por un amor
Por tu amor is a Mexican telenovela produced by Televisa in 1999, starring Gabriela Spanic, Saúl Lisazo, and Katie Barberi.
Por Tu Amor
Por Un Beso is Mexican telenovela. It was written by Inés Rodena and Gabriela Ortigoza, and directed by Alfredo Gurrola.
Por un beso
Niña... Amada Mia is a telenovela that premiered in 2003. It is a production of Angelli Nesma and the protagonists are Sergio Goyri and Karyme Lozano. Premiered in other countries, like in Greece in 2004 with the title 'Νίνα'. by repeating the 2005 and 2006.
Niña Amada Mía
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Mágica juventud
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El Niño que Vino del Mar
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Canción de amor
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Victoria
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Gente bien
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La última esperanza
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Navidad sin Fin
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Cicatrices del alma
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Una luz en el camino
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Nuevo amanecer
Industrial spies are holed up in a safe-house after killing a half-dozen people to steal some data. On their way to the private airfield where their handlers are waiting to extract them, they run afoul of a small-town wedding. Unfortunately, it's the wedding of the town's chief of police.
La revancha
No description available.
Campus de sombras
Strange things are happening in the carriers' guild: a madman has sown death and paranoia among the truck drivers, and Mario hasn't been himself lately: he's excessively serious and he no longer has a sense of humor. In the midst of the collective hysteria, Fernando begins to doubt his brother Mario, and the fear and the murders continue until there is an attempted rape. Mario also has his doubts about Fernando, and a detective embarks on the investigation with a team of agents disguised as truck drivers to find the real culprit, with results that range from the obvious to the unintentionally humorous.