Directing
Husker is a student of the Shaolin monks, learning kung fu so that he can avenge his uncle who was murdered by the Manchus who control the province. He leaves his training early, desperate to teach the killers a lesson, and teams up with a martial artist monk who is teaching a group of factory workers how to defend themselves. When the Manchus strike again, Husker and his Buddhist pal decide it's time to even the score.
This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.
Yu Ying, Kao and Fan return to China to start a martial arts school but are bullied by the Japanese competitor who runs the Black Bear school. The harassment leads to intense conflicts between them.
When a terrible kung fu master seeks various martial arts manuals from around China to make himself even more evil, he must come to blows with a Wu Tang student sent to stop him.
Tsi-Bing is living a wealthy and successful life. However, he is manipulated by his mistress into believing that his wife is having an affair and he throws her out. After his mistress vanishes with his money, Tsi-Bing is forced to relocate to a makeshift home with his three children, who take on various jobs, such as selling rice dumplings, to make ends meet. The story centers on a man who loses his social and economic status but manages to regain his place in his family through sacrifices – much like the experience of female protagonists in melodramas. This male-centric narrative was recognized as part of a subgenre of Taiwanese-language melodrama. The depictions of a powerful male figure losing his power before finally turning the tide, and a woman able to support herself after leaving home, both suggest the changing attitudes of the late 60s as people were less convinced of the perfect family, but could still find beauty in its cause.
An Australian cop heads to Hong Kong to head off the supply of a new designer drug which raises the sexual appetite of anyone who takes it.
Shaw Legend Chang Yi takes on the Wild Vile West. It's Kung vs. Gun! "A man's knowledge puts him above animals" says the Shaolin scriptures. Chang Yi must prove this- or die! A rare and fantastic film!
The story is about the Japanese occupation of Korea during World War II. A Korean patriot played by Carter Wong gets into a fight with some Japanese people and is chased into a church. The priest there is captured and tortured. Trying to secure his release, the leader of the resistance, Jhoon Rhee is himself captured and tortured by the Japanese. Carter Wong, Angela Mao and Anne Winton have to now try and rescue him. This leads to an explosive climax with the heroes having to fight the likes of Wong In Sik (Hwang In-Shik), Sammo Hung and Kenji Kazama.
The leaders of the martial world are being attacked by a masked bandit. They accuse Yu Feixia (Lily Ho), but she asserts her innocence. Lu Yinan (Kao Yuen) and some of the other Golden Knights assist Yu Feixia in finding the real killer and the masterminds behind the plot.
The martial world is now awash in one-armed knights, who aren't inclined to make any permanent alliances among themselves.
The Tseng family is one of the most noble and respected clans in a small village in Tibet. The patriarch of the Tseng family wants to marry off his daughter Ching Lan into the Kao clan. However, the cunning and deceitful eldest brother Kao Chu only wants his younger sibling Kao I-Fan to marry Lan so he can gain access to the Tseng family's considerable wealth and power.
Three travellers in the snowy wastes of Mongolia are hunting for valuable ginseng. As they battle the elements and the threat of starvation they come across a woman lying naked (but very much alive) in the snow surrounded by the wild minks. The treasure-hunters approach her and fall into a trap which will ultimately tear them apart and lead to murder and betrayal.
The plot has to do with a reign of terror conducted by a mysterious killer dubbed "Poison Dart," who is hitting all kinds of prominent people with poison darts.
Charming stranger Pai Chen arrives in a small town to settle an old score with nefarious local hoodlum Scarface Wu Hsu, who runs an opium smuggling ring. Hsu is planning a drug deal with another crime boss that Pai decides to thwart. Feisty young lass Hei Lu helps Pai out.
The swordsman Zhang Zhen is injured in a misadventure and rescued by Eldest Sister of Changchun Sect, who has a crush on him. However, Zhang falls in love with the maid Yuenu instead, and conceives twins with her. The couple are killed by a group of evil pugilists later. The Eldest Sister is angry with Zhang Zhen for not accepting her and plans to make Zhang's children kill each other as revenge. The baby girl (Xiaolu'er) is saved by Zhang's friend, Lian Lanyan, while the male infant (Hua Yuchun) is taken away by the Eldest Sister. Lian Lanyan encounters the Ten Villains when he passes through Villains' Valley. He is overwhelmed by them and knocked out in a fight. The baby Xiaolu'er is taken away by the Villains, who surprisingly do not harm her, and instead intend to groom her to become the greatest villain ever. Eighteen years later, the twins meet each other by coincidence.
A noble swordsman and a one-armed swordswoman go up against the vicious Crimson Charm gang of thieves and cutthroats. The lovely and lethal Ivy Ling Po teams with the amazing Chang I for a classic tale of good versus evil in which the best man and one-armed woman wins.
A young woman determines to help a man who is being pursued by gangsters, so that she would have the pleasure of killing him herself as revenge for causing the death of her sister.
After an unsanctioned match between a Chinese martial arts student and a Thai boxer results in disgrace for the Chinese, they determine to train and salvage their master’s reputation.
It starts off well enough with some nice build-up in a sprawling deserted farm town (a nice backlot on a Taiwan location) as various motley characters show up at the town's only open establishment, a tavern/inn, with some evil doings in mind. When advance men for the title bandits show up to lay the groundwork for a raid, they round up all available hostages but one. That one is the film's lone hero (Chang Yi), whose motivation is simply stated—he's there to check up on family—but no one believes him. At the thirty-minute mark, he launches into an eight-minute battle with the two bandit chieftains, hand-to-hand with one (Sammo Hung) and swordplay with the other (an actor I didn't recognize). It's a well-staged brawl and it spreads all over the empty town.
1952 HK crime film.
