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Zach Weintraub

Zach Weintraub

Directing

Biography

Zach Weintraub is a filmmaker from Olympia, WA, USA. He studied film production at New York University before moving home to write and direct BUMMER SUMMER (2009), his first feature-length film and the inaugural production of Newhard Entertainment - a DIY production label Zach cofounded with Nandan Rao. His works are small-scale collaborations with family and friends, often praised for their resourcefulness, muted humor, and narrative economy in their depiction of subtly shifting interpersonal dynamics. Cumulatively, his films have screened at festivals in more than a dozen countries including Locarno, AFI Fest, BAFICI, and Viennale.

Known For

The International Sign for Choking
5.8

Josh (Zach Weintraub) is a young American who has traveled to Buenos Aires to find subjects for a documentary series he has been commissioned to produce. While there, he seems also to be hoping to use the time to regroup—although regroup from what is unclear. The change of venue is not without its own set of problems, however. Josh finds it difficult to get his footing in Buenos Aires. Subjects aren’t coming easy, and he is having trouble connecting socially. He spends long stretches of time isolated in his rented room, struggling to move forward with his work and make social in-roads. Enter Anna (Sophia Takal), a young woman renting a room with an adjoining wall to Josh. After discovering each other through this shared wall, a friendship quickly blossoms which may lead to something more. What remains uncertain is if Anna’s presence will help pull Josh out of his doldrums.

The International Sign for Choking

2012Movie
A Morning Light
3.8

When they find one another by chance in the middle of the woods, old friends Zach and Ellyn seem smiled-upon by the gods of summer, fated for a carefree season ranging across hills, lakes and forests. Gradually, however, their charmed reunion is distorted by an unseen but ever-expanding presence. Are they hidden in a quiet glade after all, or perched on the tip of the universe, buffeted by cosmic winds? Directed, shot, and edited by Ian Clark, A Morning Light finds a new mode for the sci-fi thriller, one of insomniac watchfulness. With its eerily precise photography and uncanny soundscape that pulses, rumbles, and roars behind sedate scenery, it poses the otherworldly as something very near, something embedded in our own eyes and ears. — Jon Kieran, New Orleans Film Festival

A Morning Light

2015Movie