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Stanley Nelson

Stanley Nelson

Directing

Biography

Stanley Earl Nelson Jr. (born June 7, 1951) is an American documentary filmmaker and a MacArthur Fellow known as a director, writer and producer of documentaries examining African-American history and experiences. He is a recipient of the 2013 National Humanities Medal from President Obama. He has won three Primetime Emmy Awards. Among his notable films are Freedom Riders (2010), Wounded Knee (2009), Jonestown: The Life & Death of People's Temple (2006), Sweet Honey in the Rock: Raise Your Voice (2005), A Place of Our Own (2004), The Murder of Emmett Till (2003), and The Black Press: Soldiers without Swords (1998).

Known For

Becoming Frederick Douglass
4.7

In Becoming Frederick Douglass, acclaimed director Stanley Nelson and co-director Nicole London bring to life the story of an American icon. Using Douglass's own powerful, profound speeches and writing, the story retraces his journey from a man born and raised in slavery to one of the most prominent elder statesmen and inspiring voices for freedom in American history. With additional context and insight provided by historians, scholars and Douglass's descendants, the filmmakers recount the brutality and trauma of his childhood while illuminating his strength of character, defiance against the bonds of slavery and the influences that guided his lifelong quest for freedom. The most celebrated Black man of his era, Douglass's legacy and achievements continue to resonate today. His life and work still inspires activists, educators and citizens in the fight for freedom, equality and a more just American society.

Becoming Frederick Douglass

2022Movie
Black Memorabilia

Filmmaker Chico Colvard investigates the propagation of demeaning representations of African-Americans. From industrial China to the rural American south to contemporary Brooklyn, we observe the people and places that reproduce, consume and reclaim BLACK MEMORABILIA. This feature documentary takes us on a journey into the material culture of racialized artifacts and confronts us with the incendiary features of these objects. BLACK MEMORABILIA also moves beyond perverse attractions and absolute objections to collectibles and antiques that serve as reminders of America's troubled racial history. In the midst of roiling ethnic unrest in the US today, the film's confrontation of our feelings about these objects strikes at the heart of a pressing contemporary issue and opens a unique dialogue about the continuing legacy of racism in America.

Black Memorabilia

2018Movie