Shaji N. Karun

Lal Salam is an Indian entertainment talk show hosted by actor Mohanlal on Amrita TV. The show is themed around Mohanlal's film career, it also introduces and honours humanitarians and social workers, and has other interactive and performance segments. It is the first television presentation by Mohanlal, hosted alongside Meera Nandan.

A young man with mental disability who is always ravenous, steals money from his father's pocket for food and falls into a bigger trouble

Kutty Srank is a short-tempered, lonely, but law-abiding boatman whose work leads him to travel the back waters of Kerala

Lekha is an aspiring actress who becomes successful and very popular. One day, she commits suicide! Why?

Alice is a teacher at a boarding school in Ooty. A prodigal and unruly son of a Member of Parliament Xavier Puthooran, Ravi Puthooran joins the school in Alice's class. Alice manages to mentor him into a good student.

The movie revolves around Indira, who is serving life sentence in the jail. She has been charged for the murder of Avarachan, a landlord who killed a young tribal woman after raping her.

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Four bachelors struggle to overcome obstacles that come their way when they fight against the British to attain India's independence.

Three friends, Sakharia, Gopi and Bilal go to a brothel for enjoyment. They find a girl who was forced into prostitution and decide to save her.

Swapaanam (Malayalam: സ്വപാനം) (English translation: The Voiding Soul) is a Malayalam film directed by Shaji N. Karun and produced by M. Rajan for Horizon Entertainments. The film features Jayaram and Kadambari in the lead roles,[1] alongside Siddique, Vineeth, Lakshmi Gopalaswamy in supporting roles. The cinematography was held by Saji Nair and music was composed by Sreevalsan J Menon, while the script was written by Harikrishnan and Sajeev Pazhoor, based on Shaji’s own story.[2] The film was screened in the Dubai International Film Festival.[3] The film released with Auro 3D sound in selected theatres, becoming the third Indian film to employ the technology after Vishwaroopam(Tamil) and 1- Nenokkadine (Telugu).[4]

Chidambaram is based on a short story by noted Malayalam writer C. V. Shriraman. The film is a deeply symbolic exploration of the man-woman attraction leading to betrayal and eventually to the purgatory of guilt.

A widow's grief for her husband provides the focus in this tender Indian drama. Ramayyar was the joy of Ananpoorna's life. His recent death literally drained all color from Ananpoorna's life. The movie is a combination of her memories and her present situation. Before her husband died, the two owned a small cafe in Kerala, their home village. The remote little town is connected to the world by passing trains en route to the city of Trivandrum. When the funeral is finished, Ananpoorna finds herself destitute and unable to support her teenage son and daughter. To pay her debts, her cafe is sold and razed. Afterwards she moves in with her brother-in-law. Her son, Kannan, must decide whether to join the military, at the advice of the stationmaster, or join his friend who journeys to the Middle-East.

The arrival of a travelling circus sends ripples through the inhabitants of a remote Keralan village.

Esthappan is a fisherman, who lives in a seashore colony. His story unfolds through narrations by other fishermen about his miraculous acts. Through the contradictory statements of these people, a mystical figure of Esthappan unfolds.

Kunhikuttan, a famous Kathakali dancer, meets Subhadra, a woman from an upper caste family, who falls in love with his character rather than himself.

Sato Tadao is a giant of film criticism with over 150 published works to his name. He adored Asian cinema and referred to one Indian film, Kummatty, as his treasure. The director sets out on a journey in search of that treasure.

A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.

A young artist lives with his father, a radical friend and music loving young woman. His father dies, the radical friend leaves him and the woman is taken away by her family to another city.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.

A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.