Jerzy Kalina

Jerzy Kalina's first film, animated using coloured grains to depict a fantastical, vividly coloured genesis. The creation of the world and the dawn of life in under ten minutes.

A stylish Louis XIV chair leaves the interior of the house and exposes itself to the forces of nature. It falls prey to a chainsaw that turns everything into a mass of identical, practical objects.

Two birds compete for a place on the perch.

Ironic impression on the value of Polish money. The leitmotif was a animated image of working miners from an old 500-zloty banknote. . .

The box from the film strip becomes an arbitrary plot of action relating to the mysterious phenomena taking place in the Bermuda Triangle. Experimental short by Jerzy Kalina.

A man living a dream experience linked to memories of his childhood.

A modern and gloomy city of skyscrapers works to the rhythm of two pistons. Anonymous stenographers work in the dark offices, butchers deliver fresh meat and clerks, crammed into elevators, wander between the floors of the buildings.

Kalina links traditional animation with a re-projection. To the rhythm of the popular folk song Ukochany kraj, umiłowany kraj (Beloved country, dear country) he creates an anti-ballade about the farmer’s hard life and difficult work. Monotonous and mechanical activities degrade a man.

The second animated work from filmmaker, sculptor and painter Jerzy Kalina. Using multi-plane techniques mixed with paper animation and coloured grains (an element found in his first film, ...i stała się światłość, W trawie is a fantastical exploration of the world beneath our feet.

An animated story about the paradoxes of symbols, shot using the time-lapse documentary technique. Krakow, Main Square. Ravenous pigeons are fighting for food. The gigantic silhouette of the dove of peace, formed from spilled grain, is quickly eaten by a swarm of approaching birds.

In the factory hall, workers work with machine tools. Their moves are repeatable, the pace of work becomes faster and faster. The shimmering silhouette of a worker turns into a pulsating, dark spot. Finally, it disappears and the machine works itself.