Albert Capellani

The legend of Aladdin and his magic lamp: Aladdin finds a magic lamp which brings him wealth, luxury, and marriage to a princess. But his rival, an evil magician, steals the lamp for himself. Aladdin must regain the lamp or lose everything.

Albert Capellani's retelling of the biblical passage, previously taken to the screen by Ferdinand Zecca in 1902.

Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful.

Based on Emile Zola's novel, an uncompromisingly harsh and realistic story of a coalminers' strike in northern France in the 1860s.

The story begins with Jean Valjean as a humble worker endeavoring to provide for his invalid mother. They live in a squalid home, made more wretched by his inability to provide sufficient food. He goes out in search of work, but is unsuccessful. Finally, in desperation, he steals a loaf of bread regardless of consequences. He hastens home with it, pursued by a crowd, and gives it to his mother. Valjean is arrested for the theft and sentenced to five years at hard labor.

Jean Valjean, guilty of a minor theft of food, is pursued and hounded for years by a relentless lawman, Javert.

The Thenardiers and their small daughter, Eponine, and young son, Gavroche, are seen at their dingy country tavern. Here little Cosette, the daughter of Fantine, is seen performing drudgery and menial tasks. The Thenardiers are treating their own children kindly, but are cruel to Cosette.

Directed by Albert Capellani.

An actress returns from the theatre and discovers her apartment has been burglarized; she lights a cigarette and the room catches fire; the burglar saves her life, and she, in return, saves his, and he returns her jewels.

The story of two orphaned girls.

This is a compact telling of the Cinderella fairy tale and the film is elaborately staged.

Cherry, the youngest daughter of Dr. Strickland, marries Martin Lloyd; and Peter, a neighbor who was in love with her, unhappily begins a world tour. Returning home, Peter finds that the doctor has died, leaving the older daughter, Alix, alone; and he marries her out of desperation. Cherry, unhappy with her marriage, leaves her husband and comes to live with her sister and Peter; learning that Peter still loves her, Cherry agrees to run away with him, but they are discovered by his wife and upbraided. Martin is injured in a logging camp accident, and Cherry, realizing that she still loves her husband, goes to him. Peter resolves to free Alix, but she forgives him and they agree to start anew.

The miller's three sons receive their father's inheritance: the mill to the eldest, the donkey to the second, and the cat to the youngest. The two brothers refuse to share with the youngest, so the cat transforms himself and grows large. Wearing boots, he leaves on a foray and catches some rabbits, which he offers to the King on behalf of his master, "the Marquis of Carabas." Then he asks his young master to pretend to drown. The King and his entourage, alerted, rescued the boy. Later, when the King passes by, the cat asks the farmers to declare that they are in the service of the Marquis of Carabas. At the ogre's castle, the clever cat tricks the ogre into transforming into a mouse, which the cat catches and eats. Thus, the ogre's castle becomes the property of the young man, who eventually marries the King's daughter.

The story of a free-spirited Bohemian. Capellani would remake the film in the U.S. in 1916 with a longer runtime.

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

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Boireau's father keeps trying to apprentice him to a different trade. Each time, the youngster annoys the customers and destroys the goods and property.

Like Max Ophüls, Capellani set many films in the theatre – backstage, on stage, in the public eye; Here is a rags-to-riches story of a dancer and her older benefactor, a kind-hearted piano tutor.

Mimi, an orphan, is taken in by a drunken innkeeper and becomes a domestic. She meets Rudolphe, scion of a well-to-do family, who rescues her from the unwanted advances of a drunken hotel guest. They fall madly in love, but Rudolphe's uncle, M. Durandin, wants Rudolphe to marry a family friend, Madame de Rouvre, and writes Mimi a letter, telling her that she is ruining Rudolphe's life. Musette and Marcel, friends of Mimi, also try to break up the romance by introducing Mimi to other men, and Rudolphe becomes jealous and leaves her. Brokenhearted, Mimi declines in health and eventually throws herself into the river but is rescued and taken to the hospital. Realizing it is only a matter of time before she dies, she drags herself back to the room where she and Rudolphe were happiest. Rudolphe is there and she dies knowing that he loves her.

The scene takes place in Paris in March 1793 during the Reign of Terror. The Knight of Maison-Rouge, posing as Citizen Morand, is organizing the escape of Queen Marie-Antoinette. He is assisted in his undertaking by Dixmer, a master tanner who passes himself off as an ardent revolutionary and his wife Geneviève, who also happens to be the Knight's sister. While on mission with her brother, she is saved from arrest thanks to the intervention of Lieutenant Maurice Lindey. Geneviève, who is married without love to Dixmer, falls for the young man, who requites her love. A tunnel is dug between a house rented by Dixmer and the Tower of the Temple but the various attempts to rescue the queen attempts fail. Marie-Antoinette risks the guillotine/ Moreover, Lindey finds himself involved in the plot...