Cliff Bowes

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Comedy star Lige Conley plays a uneducated farm boy who decided to go to college.

Begins with a child-cast parody of "The Kid." The Adams portion finds the guy chased about town because they are looking for some crook in a gray derby...and Jimmie happens to have one.

A woman has moved to a small town boarding house to seek peace and quiet. All too soon she finds herself in a Keystone movie, where there's everything but.

A snappy young book agent reforms and becomes a cook for a group of Boy Scouts.

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Virginia Vance's father wants her to marry a count who has a couple of sidekicks to help him rob his hosts. Miss Vance, however, is engaged to Cliff Bowes. When she introduces him to father, he dislikes him because Cliff has blown up his car. Quite by accident, of course.

Mary has married Jack Langdon , the physical instructor of the young ladies' seminary where she is being schooled. Because she is underage and risks losing the fortune her uncle has left her, Mary is compelled to keep the marriage a secret, but a baby adds to the complications. At first the young couple leaves it in the care of an Indian woman. Waldo Pennanink , the son of the school's headmaster, becomes suspicious of all the time the couple is spending with the Indian woman and the baby.

CHEER UP - starring Cliff Bowes, with Virginia Vance, Eddie Boland, and Frank Alexander. Cliff vies for Virginia's affections with Eddie, but ultimately she chooses Cliff to be her groom. The newlyweds move in to their new home, but the spurned rival makes a shambles out of the house in retaliation.

Ambrose (Mack Swain) is a clumsy, aspiring cook who finds himself in over his head when he is hired to work in a busy household or restaurant. Most of the humor stems from Ambrose’s spectacular incompetence in the kitchen. He misinterprets simple instructions, leads a series of messy kitchen disasters, and accidentally destroys various household items while attempting to prepare a meal. The situation typically escalates into a frantic "Keystone-style" chase or a massive physical confrontation involving food, dishes, and outraged employers or customers.

Cactus Nell

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Mortimer grabs an opportunity to take a truck driving job; Matthew intends to hang onto it.

Cliff presents his girl with a poodle at a party. His jealous rival plants bugs on both the dog and Cliff.

Eddie Barry bewilders himself backstage at a show.

A girl gets trapped by racketeers and chaos happens at a gambling house.

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Monty Banks comedy produced by Warners.

Trails Cliff Bowes as he ricochets from a Coney Island shooting gallery to a tycoon’s penthouse, pocketing hearts, pocket watches, and the occasional stick of dynamite, all while pursued by a battalion of bowler-hatted clones who might be debt collectors, jealous husbands, or merely the feral id of the Roaring Twenties. Yet narrative is mere scaffolding; the film’s real engine is tonal whiplash—slapstick one reel, surrealist the next—until the final iris-out consumes the screen like a tiger swallowing its own Technicolor stripes.