Directing
Florence Champagne is a therapist who has very little patience for her patients. She’d had enough of listening to their problems for 50 interminable minutes at a stretch, so she invented a new kind of therapy: 3-minute online video sessions (where she usually ends up becoming the subject, by the way). If you choose her as your therapist, something’s definitely not right…
Behind a façade of legitimacy, the Fournier-Costa family control illegal betting, drug trafficking and other lucrative pursuits in the region of Valmont.
What if mechanics told us the truth? What if Barbie and Ken really existed? What if hockey players were always polite with each other? These are the kinds of set-ups explored in this irreverent, absurd and nutty sketch comedy television show.
Julia meets a mysterious trio of young people in the basement of her apartment block. Matt suffers the consequences of his bad actions, while Julia dives into her schoolbooks in order to pass the exams that will allow her to move on to secondary 5 next year.
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The discovery of an astronaut spacesuit trouble the life of a village in the Normandy coast.
Sometimes obsolete, sometimes shocking, sometimes even comical, taboos and laws shape the face of our planet. Hosted by Christian Laurence, the show goes out to meet those who respect or transgress prohibitions.
Aurelie Laflamme feels alone in the world, especially since her father's death five years ago. What if her father had been an alien who left Earth to return to his own planet? In that case, Aurelie would be an alien too. That would explain many things such as why she feels different from others, especially her mother, why she can't string two words together without making a mistake, and why boys really get on her nerves. Through the pages of her diary, Aurelie confides her joys and sorrows, successes and failures, love and friendships, and tries to find her place.
On September 11, 2004, filmmaker Robert Morin shot Que Dieu bénisse l'Amérique, set on September 11, 2001. For artistic reasons, he decided to shoot the feature in a single day. Philippe Falardeau witnessed this tumultuous day, which ended tragically. At the same time, filmmaker Louis Bélanger criticizes Robert Morin's working methods.
