Pyotr Chardynin

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A detachment of Red Army soldiers gives shelter to a woman with a newborn. After the child is revealed to be a doll, the woman gets shot.

Five-episode adaptation of the eponymous Russian novel, directed by Pyotr Chardynin et al.

Based on the story by Pushkin. Pretty young Parasha is living with her widowed mother. Parasha diligently takes care of many household tasks, but she also enjoys flirting with the guards's officers who pass by her window, and she has one particular favourite. One day, Parasha's mother asks her to hire a cook, and to do so as cheaply as possible. Parasha and her beau soon see a way to use this situation to their own advantage.

Two peasants in feudal Russia wish to marry but tragedy strikes. A grim if familiar depiction of the precarious condition of the rural life.

An adaptation of the Dostoyevsky novel.

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Lusha is suffering from her drunken husband. One day her father-in-law rapes her. Of course, she doesn’t dare admit it to her husband. So, unable to move this incident, Lusha commits suicide...

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Film adaptation of excerpts from Nikolai Gogol's novel of the same name. Only two episodes are recreated faithfully: Chichikov's visit to Sobakevich and Chichikov's visit to Plyushkin. These episodes are followed by a series of scenes in which other characters appear without any connection with the plot. In the finale, everyone is photographed next to the bust of Gogol.

The Kreutzer Sonata is a 1911 Russian silent film directed by Pyotr Chardynin. The film is considered lost.

Based on the novel of the same name by Ivan Goncharov. Raisky falls in love with his second cousin Vera, but she coldly rejects his advances. He soon learns that Vera is having an affair with exiled official Mark Volokhov, with whom She is secretly dating. One day, Vera, in a fit of passion, gives herself to Volokhov, which she immediately regrets doing. Raisky and Tatyana Markovna suffer along with her having learned about Vera’s situation. Volokhov invites Vera to marry him but she refuses his proposal. After all these passions, calm comes and in the final frames of the picture, Raisky draws a portrait of Vera, and then sits down to write a long-planned novel.

The film takes place somewhere abroad. One of the characters in the film, novice Morne, rescues a fisherman girl, Armela, who loses her mind from terror and seriously begins to believe that she is the "goddess of the winds". The monks of the monastery use this not without benefit. Armela's father finds his daughter and takes her home. Morne, in love with the girl, leaves the monastery and returns to his former profession of an artist. Soon Armela recovers and marries Morne.

Based on the 1865 play of the same name by Alexander Ostrovsky.

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Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers?

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It's the 17th century, when social antagonism is at its peak. The poverty of peasants and poor Cossacks is opposed to the lavish lifestyle of the Ukrainian and Polish noblemen, priests, and Cossack officers. Cossacks fight off Tatars’ attacks, however, they start to realise that the real enemy is much closer. Taras Triasylo raises Cossacks to help the rebellious peasants.

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