Willard Van Dyke

An artistic short on the floral beauty of Puerto Rico set to folk music.

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

This short Depression-era documentary describes the importance of the Mississippi River to the United States and laments the environmental destruction committed in the name of progress, particularly farming and timber practices and their impact on impoverished farmers.

A prescient documentary about city planning, which presents idyllic suburbs and nuclear families as a solution to the chaos, poverty and social decay of industrialized inner cities.

A documentary examining the effects of industrial automation on a small American town.

A documentary/recruitment film originally intended for showings outside the United States to promote careers in public health and American methods in public health education. Directed by social documentarian Willard Van Dyke, and delivered entirely in the characteristic voice-over narration of that genre, the film centers around a young doctor, who during the course of his medical residency at the New York Presbyterian Hospital becomes disillusioned with the failures of the medical profession to address larger social and environmental health factors and discovers the field of public health. The young doctor moves to Baltimore to study at the Johns Hopkins School of Hygiene and Public Health and finds his professional calling fighting a diphtheria outbreak in the poverty-stricken streets and row-houses of East Baltimore. Preserved by the Academy Film Archive, Academy War Film Collection, in 2011.

“Unhappy with the limited structure of league newsreels, Nykino, a splinter filmmaking collective, produced a MARCH OF TIME-type series under the banner THE WORLD TODAY. Only two episodes were released, the first premiering with Strand’s THE WAVE (1936). This one, like NATIVE LAND, addresses fascism in America.” - Bruce Posner” (via Light Cone). Not to be confused with the similarly titled Black Legion from 1937, directed by Archie Mayo.

Documentary profiling an Appalachian farming family struggling to scrape out a living. Link­ing education and economic development, The Children Must Learn suggests that better schooling, especially in agricultural techniques, would bring improvement.

After Caroline Cram finds herself in an analyst's office, she starts groping for the truth about her hopelessness, fears, loneliness and anxieties. A fact and fiction documentary financed by the U. S. Public Health Service and endorsed by the National Association for Mental Health and the National Institute for Mental Health.

The notable non-theatrical film distributor Thomas Brandon produced Tall Tales, a 1941 celebration of the American folk song featuring Josh White, Burl Ives, and Will Geer.

Nominated for an Academy Award, this live-action short film playfully chronicles the construction of the Tishman Building at 666 Fifth Avenue in New York City.

A short film about Pete Seeger and the birth of banjo music throughout the Southern United States.

Internationalist film exploring the economic and political importance of Latin America to the United States. A document of the “Good Neighbor Policy” era, The Bridge shows the endemic poverty and recent industrialization of Latin America and looks to such postwar advances as air travel, the “bridge” that will eventually link the United States with its neighbors to the south. The New York Times quoted Willard Van Dyke as saying, “We cannot expect to do much trade with South America in the long run if we do not help our Southern neighbors develop a buying power.”

Film sponsored by Western Electric (AT&T's equipment manufacturing division), the builder of the United States Air Force's White Alice Communications System in Alaska. Introduces the people and geography of the new state as well as the Western Electric radio-relay system, which links far-flung military sites, alert stations, and missile-warning facilities. Ralph Caplan praised the film's "intrinsically dramatic and highly photogenic" portrayal of communications equipment.

1948 ARC Identifier 46998 / Local Identifier 306.131. FEATURES THE PERSONALITY, PHILOSOPHY, TECHNIQUES AND ARTISTRY OF EDWARD WESTON, AS SHOWN THROUGH SCENES OF THE ARTIST AT HOME, ON LOCATION AND AT WORK WITH HIS STUDENTS. U.S. Information Agency. (1982 - 10/01/1999) Made possible by a donation from Simon Phipps

Short subject commissioned by the National Youth Association to show their efforts at providing job training for unemployed poor youth.

A commercial for the Works Progress Administration. We see hands close up: working, playing, praying, whittling, and strumming. Hands use saws and hammers, lift stones, turn wheels, then write, type, apply a bandage, play a violin, use a compass, and hold a U.S. Treasury note. Hands put a shoe on a customer, shake a thermometer, and count out bills and coins into other waiting hands. A hand places an engagement ring on a finger, buys a movie ticket, and reels in a fishing line. There are multiple images repeating what we've seen. A chicken is basted; other chickens get grain. It's a national celebration.

Documentary examining the steel industry in Youngstown, Ohio during World War II. Focuses on steel production, including the smelting process, slagging and the blast furnace. Workers reflect upon their lives and the importance of their jobs. Emphasizes the importance of teamwork in the mills and on the plant's labor relations committee to help win the war. Preserved by the Academy Film Archive in 2012.

The blacklisted American documentarian Willard Van Dyke filmed this tale about tobacco workers in the heart of the Puerto Rican countryside. Heeding their wives’ advice, individuals join forces in a cooperative so they can sell their crop of tobacco leaves at fair market value.