Wayne Kramer

Two best friends set out to rescue their pal after he's accidentally dragged to hell.

Featuring original interviews with America’s punk pioneers and the U.K.’s most notorious bands, alongside a seamless blend of rare and unseen photos, gritty archival film and video, a crackling soundtrack of punk hits and misses, this documentary series explores the music, the fashion, the art and the DIY attitude of a subculture of self-described misfits and outcasts.

Music Professionals share their most memorable stories of their career in the Rock N' Roll world.

Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early '70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.

DANNY SAYS is a documentary unveiling the amazing journey of Danny Fields. Fields has played a pivotal role in music and culture with seminal acts including: the Doors, the Velvet Underground, the Stooges, MC5, Nico, the Ramones and beyond.

Emerging from the Detroit music scene of the 1970s in a flurry of long hair and sequins, Alice Cooper restored hard rock with a sense of showmanship, while simultaneously striking fear into the hearts of Middle America with the chicken-slaughtering, dead-baby-eating theatrics that would cement his identity as a glam metal icon. Meticulously crafted from rare archival footage, Super Duper Alice Cooper tells the story of the man behind the makeup, Vincent Furnier, the son of a preacher, who got caught in the grip of his own monster.

Before its economic decline, Detroit was a major metropolis. Now, in the 2000s, the young people of the Motor City are making it their own DIY paradise where rules are second to passion and creativity. Johnny Knoxville tours the city to meet some of the people who are creating a new Detroit on their own terms, against real adversity.

The greatest untold story in Rock and Roll history as revealed by the musicians,artists and people that lived it

Documentary about the role of Native Americans in popular music history, a little-known story built around the incredible lives and careers of the some of the greatest music legends.

Lou Reed narrates this Television special that takes a look back at the beginnings of the punk rock movements in New York & England, the underground punk scenes in the 70's & 80's, and the punk resurgence in the 90's. A collaboration between VH1 and Spin magazine.

Experience the Pistols' rise to global infamy with an honest, insightful account of a group of malcontents, determined to change the music business and to attack hypocrisy and stale conventions in society at large. Based off the novel written by Glen Matlock, one of the founding members of the Sex Pistols who co-wrote ten of twelve iconic songs on their only studio album, NEVER MIND THE BOLLOCKS. Glen describes in detail the mindset of the UK in the early 70's and divulges a mine of information; Steve's thievery, Wally Nightingale, the search for a singer, the exploding punk scene and a bleak backdrop providing a contrast to the excitement and energy of McLaren's shop. The public will now have a chance to hear the story, not just from a member of the band, but also from a man who had his contributions exceptionally downplayed.

A quirky anthology, consisting of four separate short films connected by host segments. The first one, BOOGIE WITH THE UNDEAD, has an all girl rock band booked to play a gig in a town overrun by flesh-eating zombies. In the second one, THE DEVIL'S DUE AT MIDNIGHT, a coven of beautiful witches conjure up Brad Dourif as The Devil, and endures the inept attacks of witch killer Ken Foree. In the first long segment, HER MORBID DESIRES, an actress gets the lead role in a vampire movie, only to discover that starlets are being murdered on the set. The other long segment, CRY OF THE MUMMY, has the reincarnated mummy, formerly the last Pharaoh of the 4th Dynasty, looking to sue the movie studios because he can't get work as a mummy. His new lawyer offers to represent him as an agent, but the mummy will only work in film if he can direct.

From London's 1970 mod scene to Sonic Youth, punk music has always been about attitude and anarchy. This comprehensive rockumentary traces the roots of punk, from The Velvet Underground and the New York Dolls to the Sex Pistols and The Clash.

Algren will spotlight the hard-knock life and authentic creative legacy of one of the most underrated writers of the twentieth century, Nelson Algren. Algren's brutally honest portrayal of the American underclass and his hard-nosed lifestyle became his pathway to compassion. Through interviews with Algren contemporaries, experts, and "literary soulmates," as well as through the photography of Algren's friends, Art Shay and Stephen Deutch, the film will tell his story. It will celebrate his tremendous contribution to and influence on American letters, and push Algren, champion of the marginalized, out from the margins.

Documentary film on the #1 instrumental rock group in the world, The Ventures. The story of their rise to fame in the 1960s right up to now, as they celebrate their 60th anniversary of playing the best guitar-rock of all time.

Explores the seminal music magazine from its 1969 launch in Detroit to the untimely death of its publisher Barry Kramer in 1981.

The complex and revolutionary music and lyrics of Marc Bolan and T. Rex, the glam rock powerhouse behind “Bang a Gong (Get it On)” and other iconic songs. Featuring archival performances and interviews with Elton John, Ringo Starr, and David Bowie, plus filmed musical interpretations by artists such as Nick Cave, John Cameron Mitchell, Joan Jett, Macy Gray, U2, and Father John Misty.

Detroit's iconic rock group The MC5 is celebrated in this raucous London concert featuring other musicians and artists who join the band's remaining members onstage for an unforgettable show. The guest list boasts such rock luminaries as The Hydromatics' Nicke Royale, The Cult's Ian Astbury, The Damned's Dave Vanian, Meg and Jack of The White Stripes, Primal Scream, Death in Vegas, Dollhouse, The Go and more.

It Came from Detroit is the ultimate inside look at the Motor City’s internationally renowned “garage rock” scene. Nearly a decade in the making, this feature documentary chronicles the action both before and after the White Stripes rose to fame and brought an international spotlight on the scene. Beginning with the hugely influential 1980s trio The Gories (and stretching back to a legacy that includes The Stooges and The MC5), the bands of the Detroit garage rock music scene are known for two things: having an impeccable knowledge of the history of rock 'n' roll and putting on a raucous live show. It Came From Detroit documents the evolution of the Detroit scene from underground obscurity to international phenomenon. We watch how, as bands such as the White Stripes, the Von Bondies and the Electric Six started to develop a following overseas, journalists and fans around the world started hyping Detroit as “The Next Seattle” -- before the whole thing nearly imploded on itself.

John Sinclair first emerged out of his small-town Michigan background to forge a legendary course through the 1960s as a cultural activist, manager of the MC5, and Chairman of the White Panther Party. An early victim of the War on Drugs who faced 20 years to life in prison for giving two joints to an undercover policewoman, Sinclair served 29 months of a 9-1/2-to-10-year sentence before his legal victory on appeal changed the law for good. The long campaign waged by Sinclair culminated in a massive John Sinclair Freedom Rally headlined by John Lennon & Yoko Ono, Stevie Wonder, Bob Seger, Phil Ochs, Allen Ginsberg and Bobby Seale that resulted in Sinclair's release from prison on December 13, 1971-just three days after the event (Clint Weiler)