Acting
Sukaesih decided to leave her son in a hospital where her ex lover—Dr. Samsi—works. She hopes her son could get a decent education. With Leo's trickery, Samsi finally agreed to take Sukaesih's son as Sugiat, his son with Sundari who had just died. Sugiat grows up, becomes a lawyer, without knowing the truth about his true mother and the child exchange tragedy in the past. Returning to Indonesia, Sugiat handled the case of Sukaesih who was accused of killing Leo, her own husband. Will Sugiat be able to exonerate Sukaesih from charges? Did Samsi finally realize that Sugiat was his own biological son?
It tells the story of an Indonesian revolutionary who falls in love with one of his Dutch prisoners.
In school, Laila goes steady with Hamid. Her father, Abdullah the trader, opposes their relationship as he thinks it will hamper her education. When told to study at home, Laila is still trying to meet her boyfriend. One day, Abdullah is on the brink of bankruptcy. Then Usman, the tycoon, comes along and helps him. So Abdullah feels obligated to give his consent when Usman proposes to marry his daughter. But Laila is treated badly by her in-laws so she runs away, without knowing that her father has died. Fortunately, she encounters Hamid, and together they live happily ever after.
Titi loses her mind after her beloved child passed away. His husband, Suria is in love with Kartinah, the nurse. But he does not want to have two wives.
Prior to his death, Mutalib tycoon ordered his son Dullah to search for a legacy that is listed on the secret map. Fearing that his son, who had been studying abroad, knew only the truth, Mutalib asked his friends, Cepot and Udel to help and guide his son, including being told about the secret map. Joko, the deceased's assistant, is trying to seize the map with the help of Mutalib's private secretary, Fatimah. Udel and Tjepot were kidnapped and threatened by Jim. Udel and Tjepot fled to Sukadamai. This run was made funny. Joko successfully snatched the map from the Dullah and went to Sukadamai which was the clue to the inheritance. Thanks to the help of Udel and Tjepot, the Dullah was able to find the treasure. What is the content of that inheritance? Just a piece of paper urging Dullah to work. The insane Dullah who wanted to work hard after getting the message, also fell in love with the local girl, Siti.
Two brothers, Jaya and I Pageh, are commoners who love Gusti Ayu Pandansari, the daughter of the King of Tabanan Bali. Since young, Pandansari was close to Jaya and Pageh, and romance grows in a triangular relationship. The only constraint is the social hierarchy or caste. Although Pandasari prefers Jaya, she finally marries Pageh instead, since she is led to believe that Jaya has died in exile.
Iskandar is a talented clarinet player who trains under an old musician named Sobari. He also has moral support from his girlfriend. But when he becomes successful, he forgets about Sobari, his friends and his girlfriend. Only when his career crumbles does Iskandar remember again his girlfriend and friends.
Rainang tries to terrorize a corrupt village leader, Ciming, so that he would resign. But Marsan accidentally kills Ciming. As team leader, Rainang is willing to take responsibility (punishment by exile) while Marsan is appointed as the new village leader and Rausin (Rainang’s son) is sent to the Islamic boarding school. When Rausin returns to Kemayoran, the village leader, Marsan, is now a corrupt man. The Dutch reprimand him as the villagers no longer want to sell rice to them. The village leader then assigns Beureum, an assassin, to get rid of Rausin. But Toha and Cicih, the female warrior, support him. Rainang, who is thought to have passed away, appears and intervenes, and in the end, kills Marsan.
When their children fail to come home, their parents start to worry. Due to their own neglect and unfulfilled promises, the children, Maria and Suzy, are getting some help from an old man, their former teacher, to go to the zoo and other entertainment centers by themselves. When the police are called, the kids are quickly found and returned to the parents, but the teacher is so heavily shaken by this experience that he admits himself to a mental asylum.
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After the revolutionary war, Leman is asked by Barjo to join him in collecting donations from businessmen. Some donate while others do not. But Leman gets into a fight with one particular man who refuses to donate and kills him.
This film, produced in Indonesia and based on the old Japanese folk saying that "a man's happiness depends upon a knife, house, horse, wife, and singing bird," tells the story of the restoration of a young man to his rightful place in his society and nation, and depicts basic Indonesian traditions while outlining Indonesia's successful fight against malaria (with U.S. cooperation). The film follows Amin, a village youth who attempts to earn a living in the city. However, he is unsuccessful, and so he returns to his village to live with his wife-to-be, Marlina. Before the couple can marry, Marlina falls ill with malaria, and only after she is cured are they able to wed. The film was directed by Miriam Bucher and is a joint production of the U.S. Information Service (USIS) and Produksi Film Negara (PFN).
Arman suffers a severe wound from the second military clash in December 1948 and is nursed by the village head and his daughter, Srihati. When Indonesia gains full sovereignty in 1950, he returns to Jakarta. Then Arman is carried away by the big city life. He meets Martini and later on marries the modern girl. When Srihati goes to the city to find him, she is disappointed. But later she meets Kasim. At that time, Arman is having gambling problems and he is sent to prison due to embezzlement. After he finishes his prison sentence, he tries to find Srihati at the village but she is already married to Kasim. So Arman becomes the dust of revolution, blown by the wind to nothingness.
The arrogant young man, Harsono debauches Suryani and leaves her for the city. Harsono's brother, Sutopo takes responsibility by marrying the girl who he is actually in love with. In the city, Harsono is drawn to the floozy Sandra. When he realizes his mistake, he takes it out on Sandra. Sandra's death, however, is caused by a heart attack, and not by his actions. Harsono goes back to his village. Sutopo tries to reconcile Suryani with Harsono when he returns. But Suryani chooses to stay with her husband, Sutopo.
Set in the real event of the sinking of the KRI Macan Tutul in the Trikora area, Wahab Abdi is an officer of that boat. As he is pronounced dead, his girlfriend, Liliana, marries another man. But Wahab is not dead; he is hospitalised in the navy hospital. Later, his nurse, Shinta Dungga, falls in love and marries Wahab at the end.
Set in the 1930s, and narrated like a ballad from the past, "The Tiger from Tjampa" tells of how a young man, Lukman, seeks to avenge his father’s murder by learning pencak silat, a traditional form of self defence, based on the movements of animals.
Abdulkadir is a scrooge. He works as a loan shark. His daughter, Suliati, is going steady with Ahmad. But Abdulkadir resents his daughter's lover due to his poverty. Instead, he pairs off Suliati with the wealthy Abdulrachman. Meanwhile, Abdulkadir is dating Rohana, his own son, Ramelan's girlfriend. Finally, it is revealed that Ahmad is actually Abdulrachman's son. In the end, Ahmad gets to marry Suliati.
A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.
Sugiati loves all of her children, Achmad, Idris, Sumadi and Supinah. Sumadi receives the most attention as Subagio, his father, often blames him. But Subagio leads a double life as a thief. To defend his father, Sumadi takes the blame for his father’s crime. He is sent to exile for his confession. Subagio feels guilty, becomes ill and finally passes away. After the death of Subagio, the children refuse to take care of Sugiati who ends up in a nursing home. Upon his return from exile, Sumadi is appalled by his siblings’ treatment of their mother and settles the score with his brothers and sister.
Disappointed with her marriage, Sahara left Medan and moved to Jakarta, forgetting her profession as a ronggeng dancer. There she met Effendi who invited her to create a national social dance by creating from regional dances.
