Evan Yang

Three martial arts directors united for this unique anthology film. Yueh Feng writes and directs a clever love-and-kung-fu triangle, Cheng Kang both writes and directs kung-fu courtesans battling brigands, and the "godfather of the kung-fu film," Chang Cheh, creates a cliff-hanging, swashbuckling mini-movie with maxi-action.

Back in 1959, air hostess was considered one of the most glamorous and privileged occupations for young girls with a dream. This first colour production of MP & GI details the ins and outs of the profession and takes the three lead actresses, Ge Lan (Grace Chang), Julia Ye Feng and Dolly Su Feng through a series of tough training. After their graduation, the film then brings them, and the audience, to exotic places like Bangkok, Singapore and Taiwan.

Chen Liujin and Zhang Lihong have a chance encounter with Wang Shu and Li Rong during an outing to the beach. Chen admires Wang, but Wang has fallen for Zhang's charm; Zhang fancies Li, whose heart is set on Chen ironically. The two young men seek to approach their objects of affection on the pretext of inviting the dream date of each other to an outing in the country during which they are teased and made fun of by the two women. To wipe away the shame, Wang and Li plot to intoxicate the women, who pretend to be in a drunken stupor while calling for help from their uncle and father respectively. In front of the elders, Chen declares her love for Wang, and Zhang for Li. Hit with the realisation of the women's sentiments, the two men reciprocate their respective admirers with their well-deserved love.

A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.

The Crisis is a Hong Kong Action movie starring Sammo Hung in a child role

Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

The film traces the relationships that develop between the protagonist Xu and the three women he meets, set against the backdrop of the Second World War.

Overseas student Qiao Jian-hua and his friend Bai Xue-Liao traveled together to the Typhoon Shelter and met a boat girl named Li Lan-lan. Hua hired Lan as a guide to learn about the life of boat people. The two became close, which aroused the jealousy of Man-man, a rich girl who had a crush on Hua.

When a murder occurs in a nightclub, dancers Pak Lai Hung and Lam Yin Fei meet the murderer and run into a college to hide. The next day, they perform on the beach in place of female students Zhu Man Zhen and Liang Mei Fang, but they are expelled by the police because they are not licensed to perform. The next day, they perform on the beach in place of female students Chu Man-chun and Leung Mei-fong. On the night of the charity show, Hung and Fei are watching the performance on stage, but the murderer follows them, fortunately, Fang finds him and calls the teachers and students and the police to arrest him.

To marry her fiance Dong Jifang, Wang Danlin and her father Zhuoran take the cruise home to Hong Kong. The daughter fails to see eye to eye with her father who covets after Dong's money for speculation. On the ship, she suffers intensive courtship from the Filipino Chinese Lin Yamang. Meanwhile, Dong is eager to match his old frame Bai Jin with the sailor Mai Qin, but Mai mistakes Danlin for Bai and falls in love with her, resulting in a morass of troubles. Finding out Dong's affair with Bai, Danlin calls off the wedding in anger. Dong responds by deciding to marry Jin. Their nuptials are saved with the timely intervention of Mai.

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Gu Lingxiu's dream of becoming an actress is opposed by her grandmother. Her father Zhongqi remains ambivalent. Years ago, Zhongqi was in love with a Peking opera diva Hua Yanhong, but the lovers were separated by the matriarch. Regretful of the mistake, the matriarch discards her prejudice and allows Lingxiu to pursue her career. She also urges Zhongqi to look for Hua.

Lady Balsam's Conquest. A sequel of General Chai and Lady Balsam.

A gem in every sense of the word, Our Dream car features popular idols Ge Lan (Grace Chang) and Chang Yang as a couple of newlyweds who struggle hard to acquire the latest symbol of middle class affluence: a motor car, but only find themselves in alienating situations. Yi Wen's script is full of lively and humorous details, his direction affectionate, while the young stars are charming. The film also paints a picture of a bourgeois lifestyle that was yet to occur in the ex-colony. It has also been aptly compared to the genre of hollywood "bedroom" comedy made famous by Rock Hudson and Doris Day in the 1950s.

Iron Bones, about a young lad that learns a secret Tai Chi type of style called the Wind Palm, where you can kill with chi blows. Sure, it's a little crazy, but the acting is a big cut above most martial arts movies and the sword fights are pretty good. And Sam the Seed shows up, sans wig, as a dirtbag Shaolin monk after the book. Han Ying Chieh, the big boss, is one of the thugs in the background.

A Mandarin adaption of Camille directed by Chang Shan-Kun and Evan Yang.

The film depicts how the young Yue Fei learned martial arts, got his mighty weapon, and romanced his wife. Later he entered the national contest of martial arts, and had to fight his way out of a legion of challengers.

Jin Wenou falls out with his business-minded father when he decides on painting instead of studying business. Mary, his fiancée, finances him to get his own studio. One day his dying father wishes to see Mary. Unable to contact her, Wenou gets Wanping to stand in. Wenou's father miraculously recovers upon seeing Wanping. He is infuriated when Wenou tells him that his fiancée is actually Mary and declares Wanping as the only heiress to his fortune.