Flavia Mastrella

Police officer Antonio is murdered by Eli, a girl of few words; Arm, a boy struggling with the problems of adolescence; and French, a man of faith and a heavy smoker. Commissioner D'Angelo, who finds the body on the banks of the Po River, arrests the three alleged murderers, but lacks any conclusive evidence.

Comprised of a series of bizarre and unrelated episodes, this absurd Italian comedy earned the inglorious honor of being the film with the most audience walkouts at the 1996 Venice Film Festival. In the first segment, a widow attends her husband's funeral and ends up having sex with her brother-in-law next to her husband's corpse.

Samp is a professional hitman who is hired by a powerful president to kill traditionalists. On a personal level, he has psychological problems he treats with music. After killing his mother, he wanders through Puglia seeking his ideal woman. He encounters all sorts of people as he goes: nature-lovers, people out to find their roots, and an eccentric musician. Suddenly, Samp falls in love, not once, but serially. With women of little substance. He kills someone else and becomes almost human—and that humanity will put paid to his dreams of power.

No description available.

In a country house a patriarch lords over his community made up of a tired woman and a boy in the midst of an economic-adolescent crisis. The guest of the facility is Dr. Girarda, a chemist extradited from Poland.

An electoral campaign is underway in an imaginary country. Two leaders fight over the voters, who cry in exasperation. The first leader is fat and whiny, the second smiling and aloof. A man with a laptop computer and a teenager with a stony face and muscular body look on as the political battle unfolds. An aggressive woman removes herself from the melancholy scene. After the victory of democratic optimism, the two observers kill the leader, who dies with a smile on his lips. Civil war breaks out.

The extremities of a middle-class being ramble on, reflecting poetically on the wretchedness of moderation.

Giuseppe who is allergic to diminutives, leaves his mother marked by incest. Tamara, a rampant young girl, abandons her father after loving him. During his pilgrimage Giuseppe breaks many a heart but since he loves to masturbate he never gives himself and never lets himself be touched. The young man’s fame reaches the ears of Tamara who, after searching in vain finally meets him on the wane. The two fall in love, get married and are soon bored. The simplistic, theoretical Giuseppe finds his allergic attacks increasing due to syncopated forms. Tamara gets pregnant, her husband repudiates the paternity, she kills him with diminutive blows. The child is born reluctantly; it looks like its father and inherits his allergies…

No description available.

A man is preaching, two people are listening, and another pretends he’s freezing to death.

No description available.

Short aired during the Pippo Chennedy Show

A spiritual operator, don Tek, gives out advice and judgments to his followers, who dream of a dark, cruel man who attacks them with the socio-moral meanings of life. The dream interpreter materializes and is killed by don Tek who, after the murder, falls asleep to forget. But the victim appears in his dreams, leaping from the sky only to die instantly: don Tek has killed dreams.

A man is sick and he doesn’t show himself. Three people don’t go to visit him and they show themselves.

Is art useful to man? The actors are suited to society. Passers-by are people who want to dream but have now lost confidence, laziness on the one hand, conditioning and deschooling on the other, require you to lower your sights and everyone is content to pursue modest cheap expectations. Reality and art are not in communication, impoverished by individualism, the actors and artists dance to the rhythm imposed by power, they slaughter each other, they abuse each other without realizing the possibilities of communication that open up by moving outside the choir. Rome is occupied by every step, the foot walking lightly occupies the public land. But this occupation is not news because it is lightning fast. The criteria of employment mark the time.

A killer hates and punishes people who are using the small phone.

A psychoanalyst helps a patient to achieve his ambitions.

Documentary focused behind the scenes of the making of the play 'io' by Antonio Rezza and Flavia Mastrella

In a world with fantastic potential, an apathetic sedentary couple let themselves live till they die

MILAN VIA PADOVA. A document that was born out of an excess of zeal in an investigation into the people who live on the street. The film tells of racism and intolerance through singing that shows the sweetness of a forgotten rhythm. The unusual reality reaches performative peaks when personal and social problems are intertwined. It is a film on the verge of becoming. It was born as a synthetic work but like the themes it deals with, it prolongs its life over time. After four years it became a feature film.