Directing
Police officer Antonio is murdered by Eli, a girl of few words; Arm, a boy struggling with the problems of adolescence; and French, a man of faith and a heavy smoker. Commissioner D'Angelo, who finds the body on the banks of the Po River, arrests the three alleged murderers, but lacks any conclusive evidence.
An electoral campaign is underway in an imaginary country. Two leaders fight over the voters, who cry in exasperation. The first leader is fat and whiny, the second smiling and aloof. A man with a laptop computer and a teenager with a stony face and muscular body look on as the political battle unfolds. An aggressive woman removes herself from the melancholy scene. After the victory of democratic optimism, the two observers kill the leader, who dies with a smile on his lips. Civil war breaks out.
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Documentary focused behind the scenes of the making of the play 'io' by Antonio Rezza and Flavia Mastrella
Samp is a professional hitman who is hired by a powerful president to kill traditionalists. On a personal level, he has psychological problems he treats with music. After killing his mother, he wanders through Puglia seeking his ideal woman. He encounters all sorts of people as he goes: nature-lovers, people out to find their roots, and an eccentric musician. Suddenly, Samp falls in love, not once, but serially. With women of little substance. He kills someone else and becomes almost human—and that humanity will put paid to his dreams of power.
Comprised of a series of bizarre and unrelated episodes, this absurd Italian comedy earned the inglorious honor of being the film with the most audience walkouts at the 1996 Venice Film Festival. In the first segment, a widow attends her husband's funeral and ends up having sex with her brother-in-law next to her husband's corpse.
A man and a woman make guesses about the future while a child is still unborn
A psychoanalyst helps a patient to achieve his ambitions.
Is art useful to man? The actors are suited to society. Passers-by are people who want to dream but have now lost confidence, laziness on the one hand, conditioning and deschooling on the other, require you to lower your sights and everyone is content to pursue modest cheap expectations. Reality and art are not in communication, impoverished by individualism, the actors and artists dance to the rhythm imposed by power, they slaughter each other, they abuse each other without realizing the possibilities of communication that open up by moving outside the choir. Rome is occupied by every step, the foot walking lightly occupies the public land. But this occupation is not news because it is lightning fast. The criteria of employment mark the time.
A mother feeds her son to the point of possessing him.
A spiritual operator, don Tek, gives out advice and judgments to his followers, who dream of a dark, cruel man who attacks them with the socio-moral meanings of life. The dream interpreter materializes and is killed by don Tek who, after the murder, falls asleep to forget. But the victim appears in his dreams, leaping from the sky only to die instantly: don Tek has killed dreams.
A charismatic boss shuts himself up in a pokey little niche. His disciples go visit him and hang on his every complaint. The boss realises that the experts are all the same, they reason with their arse and never raise their eyes; despite this he adores them and urges them to spend time with him. A woman regularly keeps their meeting place clean and the disciples dislike her as they hate cleanliness. The charismatic boss doesn’t meet the needs of his “flock” which is getting bigger and bigger, a crowd gathering beneath the niche: a revolt breaks out……
MILAN VIA PADOVA. A document that was born out of an excess of zeal in an investigation into the people who live on the street. The film tells of racism and intolerance through singing that shows the sweetness of a forgotten rhythm. The unusual reality reaches performative peaks when personal and social problems are intertwined. It is a film on the verge of becoming. It was born as a synthetic work but like the themes it deals with, it prolongs its life over time. After four years it became a feature film.
A man closes the same doors that Kafka opened.
The extremities of a middle-class being ramble on, reflecting poetically on the wretchedness of moderation.
Path in progress on the intentions of those who think badly. The discomfort of the mind of those who have no discomfort is greater than that of those who make discomfort their natural expression. "Troppolitani Outside Where?" it is a journey through the folds of the human and inhuman mind. A one-way trip that does not allow for escape: you remain trapped in the thought of whoever is in front of you. One is stunned by the astonishment that the deviated mind is able to arouse.
Documentary filmed on the occasion of the “2003, Odyssey in Space Zero” operation inside the Spazio Zero Theater in Rome. The document, filmed between 21 October and 30 November 2003, recounts the representation of Fotofinish not as a single and continuous work, but as the evolution over time of the moods and movements of the actors who, replica after replica, have developed an awareness of the space and arrived at the joy of staging.
In the land of the slides, three handicapped plot against people with two legs.
