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Olivier Auverlau

Camera

Known For

CrĂłnicas
6.4

A suspense thriller about a reporter from Miami who travels to Ecuador in pursuit of a serial killer known as the "Monster of Babahoyo."

CrĂłnicas

2004
Between Marx and a Naked Woman
6.7

Between Marx and a Naked Woman is the adaptation of a novel written by Ecuadorian Poet, Jorge Enrique Adoum. The scenes of this film insert us into Ecuador in the sixties, when the electoral struggle, convoked by the military government for a new return to democracy, is in full force. Galvez’s left-wing party must elect its candidate, but he is shoved to one side because of the criticism of the party’s political leadership. While his struggle becomes bitter, he must withstand the frustration of not being able to offer full love to Margaramaría, another party member.

Between Marx and a Naked Woman

1996
No Autumn, No Spring
3.2

No Autumn, No Spring depicts modern day Guayaquil City and its invisible generation. Iván Mora Manzano’s punk ballad of rebellion, confrontation and the disenfranchised reveals the tribulations of young men and women who struggle deeply with the transition from adolescence to adulthood.

No Autumn, No Spring

2013
De cuando la muerte nos visitĂł
N/A

An ordinary day in the life of a community on the Santa Elena Peninsula, on the Ecuadorian coast. The many characters in this documentary –simple people, heir to an ancient culture– present the true protagonist: death.

De cuando la muerte nos visitĂł

2002
Yellow Sunglasses
7.3

Julia, a thirty-year-old newly separated and in search of a life change, finds two new friends. The three begin to live an intense friendship that turns into a love triangle in which their frustrations and fears of not knowing if they will manage to be who they dreamed to be when they were younger.

Yellow Sunglasses

2021
No image
N/A

In a village in Belgium, the earth opens up, letting out the voice of a man, a stone worker. His fingers sculpt and carve, but the flashes of stone stop at the walls of a small workshop attached to his house. Each blow of his chisel rips a piece of history, of conscience, of struggle into oblivion. Meanwhile, not so far from his workshop, the quarry, without age, without memory, advances, devours the surrounding houses, the streets, the town, the roots...

Fermes tes jolis yeux

1990
Jusqu’au silence
N/A

Anna comes from a violent past that has left her a recluse in her solitude.When a man knocks at the door her infancy returns....Will Anna open the door to the universe that she has created for herself to let life enter?

Jusqu’au silence

1992
Silencio Nuclear
N/A

After a nuclear catastrophe, a man who did not know how to continue living in silence went out to look for sounds, voices and whispers in the remains of a scorched nature.

Silencio Nuclear

2002
Detrás del espejo
4.0

Oswaldo GuayasamĂ­n, one of the most renowned Latin American artists, with more than 600 portraits in his pictorial career, (among which are F. Mitterrand, Carolina de MĂłnaco, Juan Carlos I, Rigoberta Menchu) paints his self-portrait, while he tells us the foundations of his art.

Detrás del espejo

1997
No image
N/A

Les Enfants de la Terre, documentary short

Les Enfants de la Terre

1991
Vida del Ahorcado
7.0

Adaptation of Pablo Palacio short story that through a teacher and a group of his students, presents an exercise of dispersion and annihilation converted into an aesthetic object.

Vida del Ahorcado

2004
Carlos. El amanecer ya no es una tentaciĂłn
N/A

First documentary dedicated to rescuing from oblivion the figure of the “other Che”: Carlos Fonseca Amador (1936-1976), founder of the Sandinista National Liberation Front. It was filmed from 2010 to 2011 in key places such as León, Pancasán, Zinica, Managua, Estelí, Matagalpa and Havana after a two-year investigation in search of those who knew him personally among the leaders of the Sandinista Revolution and anonymous collaborators such as the peasants who fed his guerrillas.

Carlos. El amanecer ya no es una tentaciĂłn

2021