Cesar Hernando

A young Pina was traumatized when her family was murdered while she had her first menstruation. She grows up into a serial killer transforming herself to different personalities as she seduced one man at a time grossly killing them while in the act of sexual pleasure.

A dark tale of fatal obsession and erotic passion, centers on a young student artist mesmerized by a beautiful and mysterious figure drawing model in his art school.

Sid Lucero, a 21-year old pre-Med student, is an aspiring neophyte of the Alpha Kappa Omega fraternity. Over a six-month initiation period, he and six other neophytes are subjected to severe physical and psychological torture in and outside the fraternity house.

A young womans gets married but her possessive father refuses to let her out of his sight.

When a Filipino teen is found fatally shot on the streets of New Jersey, the investigation into his death reveals the struggles of the Filipino-American community, including the horrifying effects of methamphetamine on its youth.

A drama of the personal saga of a young man struggles with the contradictions within his own social class and the demands of a dysfunctional political family in the Philippine Islands.

Noel struggles to accept his father's remarriage to Agnes and the arrival of his step-sister, Melody. The two grow up harboring a bitter hatred for each other. When their parents die, Noel becomes Melody's legal guardian, much to her dismay. Later, each now married, the two become business partners and eventually grow closer.

The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.

A nun who acts as a counselor in a home for unwed mother undergoes political awakening when her friend and namesake belonging to the same congregation as hers inspires her to get involved in the struggle for justice and freedom of striking workers in a cooking oil company.

In a spoof on the contemporary sacred cons, two yuppy couples get entangled with warring smugglers of dope that include fake priests and nuns as well as Japanese and Chinese agents.

A coming-of-age story of college student Joey, who's lost all sense of direction. His only inspiration is music, but he is yet to finish writing a song. His life changes when he meets Ana and his world is suddenly turned upside-down.

A stripper and taxi driver are fished out of poverty and anonymity by a commercial film director. The obsession with success forces them to affect images as movie stars, which suppress and eventually destroy them as persons and lovers.

Every night, Nana Lusing lies on her bed sleepless because she sees a dark figure looming in her room. Who is this shadow? Is this the devil? Her late husband? A manifestation of her anxieties? Or simply a figment of her imagination?

Hukbalahaps in the forests are suddenly terrorized by an "aswang" who seems to be killing them one by one.

Independent filmmaker Raymond Red's first crossover to full-length feature is a highly visual chronicle of the rise and fall of revolutionary hero Andres Bonifacio. Noted for its heavy stylistics and painstaking attention to filmic detail, the biopic also tackles the momentous events surrounding the Philippine struggle against Spanish colonialism. The historical epic is a most fitting cinematic memorial to the centenary of Philippine independence.

In Cesar Hernando's noirish short, the uprising and UFOs are merged in a strange commentary on government control.

Mike De Leon's entry into the omnibus "Southern Winds" where he follows Julio Madiaga into the new world of Filipino Entertainment.

Mabuti accidentally finds a stash of money that could bring an end to her family’s financial problems: is the solution that simple or is it loaded with complications?

Rust is a satirical piece crafted together using found footage of war, sex, and pop culture, revealing the destructive repercussions of fascism.

A collective work, made at the beginning of the 1990s, was the result of a workshop lead by German filmmakers, such as Michael Wulfes and Christian Weisenborn. Its authors, who now belong among the stars of the Philippine cinema, depict intimate portraits of children living in the streets of Manila.