Editing
In a working-class city of Mauritius, old Bolom has disappeared. His son Ronaldo sets out to find him and crosses paths with Ajeya, an Indian immigrant worker. He dreams of a golden boy's life, she flees her condition of modern slave. Together, their nocturnal crossing of the island takes on a new dimension, between a mystical journey and a desire for freedom.
Four tragicomic interconnected stories about how devoted Muslim men and women are trying to manage their love life and desires without breaking any religious rules.
A historical look on the last days of the Mamluk Sultanate before its fall to the Ottoman conquest in the 16th century and how Egypt and the Sham were incorporated into the Ottoman empire.
Marie, Naney, and Jolie live together in Tunis, sheltering Kenza, a shipwreck survivor. As this unorthodox family forms, crises make each woman reconsider her place.
In 1997, six African women pledged that in the first year of the new millennium they would tell their stories, stories by African women. They called their series "Mama Africa" and drew their tales from the depths of their hearts. The result is a groundbreaking initiative bringing together the incredibly fresh talents of six female directors from the vast and diverse continent of Africa.
This short documentary from 2002, written by Jacques Tati scholar Stéphane Goudet and featuring rare archival footage, explores the genesis of the director’s hugely ambitious 1967 film production.
On a handmade set re-creating her Casablanca neighborhood, a young Moroccan filmmaker enlists family and friends to help unearth the troubling lies built into her childhood.
When Mariam, a young Tunisian woman, is raped by police officers after leaving a party, she is propelled into a harrowing night in which she must fight for her rights even though justice lies on the side of her tormentors.
A study of ennui and female repression within a world rarely seen onscreen - Italy's hermetic nobility.
The meeting of two worlds that never met. One of poetry and freedom, and the other of silence and darkness. A story that begins in a maximum security prison in Sweden where a young actor, Jan Jönson, decides to stage " Waiting for Godot "with five prisoners as actors.
Rwanda, 2012. The country is emerging from an era of silence after the 1994 Tutsi genocide, and people's courts are being set up with the aim of bringing justice and reconciliation. Veneranda, a survivor, is convinced of the need for these trials. Despite pressures, she organises discussion sessions between victims and the families of the executioners. Therapy for some, an act of betrayal for others, these testimonial sessions revive and reveal the traumas that each of them try to overcome, in their own way. The wounds of Veneranda's past are exposed again when she learns of her daughter's unexpected pregnancy and the identity of the father. Veneranda has to face her own contradictions and the dark parts of her past.
For thirty years, French-Algerian sisters Zorah, Nohra and Djamila have been living in the hope of finding their brother Rheda, abducted by their father, and hidden in newly decolonised Algeria. Their relationship is shaken when Zorah, the eldest sister, decides to write a play based on the traumatising events of their childhood that haunted them their whole life. But when they learn that their father is dying, the three sisters decide to go to Algeria to seize their last opportunity to have him reveal where their brother is. When the past catches up, the three sisters have no choice but to put their differences aside.
Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?
Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah feels anything but at home in his old neighborhood: he can no longer speak the local dialect and he wears western clothes that immediately cast him as an outsider. But, as Abdallah spends time with a young boy and an elderly electrician, he can't help but feel a sense of loss for the life he's abandoning.
Just outside of the Malian city of Timbuktu, now occupied by militant Islamic rebels who impose the Sharia on civilians and inconvenience their daily life, a cattleman kills a fisherman.
Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.
Extremism slices through a Tunisian family with the realization that their teenage son has become an ISIS fighter.
Award-winning filmmaker Anne Aghion brings us on her decades-long, global odyssey to overcome loss. Through a series of tender, honest and visually stunning cinematic letters to the mother she lost at the age of ten and barely remembers, she grapples with the long-ignored effect of this death, the suppressed memories of her father’s life during the Holocaust, and a career as a filmmaker spent avoiding her own grief by giving voice to people who’ve survived extreme poverty and genocide. With a collage of home movies, outtakes from her previous films and original animated artwork embedded in grandiose footage of vast landscapes that take us to India, France, Rwanda, Antarctica and New York, Anne Aghion asks a question we all face: How do we live past the heartbreaks, sorrows and traumas we endure and come out whole?
Hassan approaches an aircraft that crashed in the mountains and discovers a survivor. He decides to carry him to the monastery where he lives with his father and other Orthodox monks.
Over the span of a year, filmmakers Marte(Norway) and Jéro (South Korea) exchange visual letters, documenting their everyday lives.
