Directing
A poor boy lives in the attic of a luxury house. During a party, he pays court to an elegant young woman who, without warning him, surprises him at his home.
Hercule, a young peasant, inherits a Parisian newspaper with a large circulation. The editor-in-chief, Vasco, takes advantage of his ignorance to make corruption prevail. But Hercules gradually realizes the role that we make him play.
Étienne, a very sensitive being, watches helplessly as his mother suffers from his father's infidelities. He tries to seduce his father's next conquest without his knowledge.
Maigret investigates in Concarneau where the passage of a yellow dog accompanies a series of murders, sowing terror in the population. The police seem helpless. It must be said that it has no significant evidence.
René Sabin, engineer, disappointed by failures, leaves his village in the South to go to Paris with friends. In the capital, he befriends dubious people, in particular Alex Krakow who does not disdain shady business. Then comes the war. René is mobilized then returns to the country, and finds with joy his fiancée.
Unbeknownst to the members of a French family, a radio announcer makes them the subject of a broadcast.
Adémaï is forcibly engaged to the farmer's daughter. He tries in vain to get rid of it and, weary of the struggle, flees in a plane with his comrade Michelet whom he believes to be an instructor. For three days and three nights, the unfortunates turn in a closed circuit, thus beating the world record.
"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center
In his will, the late Jérôme Armandy has expressed the wish to have all the surviving members of his family summoned to the Château de l'Etang, in Provence. Firmin, Jérôme's servant, asks Claude, a Montmartre artist, to organize the reunion, to find the sum of 17 million francs which is hidden there (as a child he had been told by Armandy where the hiding place was) and to divide the amount between the different heirs. But a series of odd facts occur: Claude is knocked unconscious as he is busy opening the hiding place door; one of the heirs gets killed; and even more astounding, the dead man reappears and... asks his money back!
The new French military attaché at the Constantinople embassy helps a young woman being blackmailed by her own husband.
Perrichon, a well-off self-satisfied bourgeois, goes on holiday with his wife and his pretty daughter Henriette. He is more or less willingly followed by two young men, Armand Desroches et Daniel Savary, who both have fallen in love with Henriette after meeting her at a ball. The Perrichons's vacation will be eventful with, among other misadventures, two accidents (one real, the other fake) and the threat of a duel.
Having fallen madly in love with the daughter of a prison guard, Guignolet climbs the wall to free her. He falls into this prison yard where he ends up being a prisoner in the heart of the delicious daughter of the guard.
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