
Ruxandra Zenide
Directing
Known For

In the heart of the Danube Delta, superstition and religion are mixed together, like the earth and water that make up the mysterious mud from Tekir’s area, not far away. Chased away from her village because of her mysterious pregnancy, Mara finds herself employed at the Europa Hotel, providing treatment for infertile women using this miraculous mud. As she meets the rich and eccentric Mrs. Lili, Mara questions her beliefs and intuitions. The relationship between the two women is the key of the miracle of Tekir, between magic and power, tradition and modernity.
The Miracle of Tekir

A documentary about the New Romanian Cinema. "Cinemaguerilla" brings together over 30 interviews with directors, producers, actors, film historians and critics about what unites and what separates the New Wave of Romanian films.
Cinemaguerilla

Jonathan Vogel (Guillaume Depardieu) would like to turn back the clock and undo the accident that led to his disability and destroyed his life. When he learns that Stivlas Karr (Carlo Brandt), a well-known professor and geneticist, has developed a gene therapy for regenerating the human body, he makes an appointment with him for some clinical tests. But the therapy doesnt go according to Professor Karrs plan and leads to unexpected results. Jonathan, whose life is now in danger, has become aware that there is only one person who can help him: Alice (Alysson Paradis), the professors daughter.
The Childhood of Icarus

In a small village in the Danube Delta, where traditions are confronted with new material purposes, a teenage girl is becoming a woman. This is the story of Ryna, a 16 year old girl, working as an motor mechanic in Sulina, who strives to find her identity next to a father who is firmly denying her femininity.
Ryna

Georges looks after his little sister in a remote part of Romania. They're all alone in the world. And even if fate over-takes them, life will reassert its claims.
Green Oaks

Andreea, a young tram driver, has a special relationship with the tram she drives every day. Her boyfriend, Marcel, resents what he perceives as a growing affection between Andreea and a machine.