Carlos Fuentes
Writing
Biography
Carlos Fuentes Macías (November 11, 1928 – May 15, 2012) was a Mexican novelist and essayist. Among his works are The Death of Artemio Cruz (1962), Aura (1962), Terra Nostra (1975), The Old Gringo (1985) and Christopher Unborn (1987). In his obituary, The New York Times described Fuentes as "one of the most admired writers in the Spanish-speaking world" and an important influence on the Latin American Boom, the "explosion of Latin American literature in the 1960s and '70s", while The Guardian called him "Mexico's most celebrated novelist". His many literary honors include the Miguel de Cervantes Prize as well as Mexico's highest award, the Belisario Domínguez Medal of Honor (1999). He was often named as a likely candidate for the Nobel Prize in Literature, though he never won.
Known For
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Conversando con Cristina Pacheco
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Love at First Sight
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Biografías
A couple on the verge of getting married gets mixed up with a gang of thugs in this routine crime drama that underscores the Socio-economic disparity in the Mexican culture. The upper-class couple rides along with outsiders who go club-hopping and resort to petty thievery. After their adventure, the couple questions whether or not they are right for each other.
The Outsiders
Narrated by Morgan Freeman, this groundbreaking new documentary uncovers the UN sanctioned war on drugs, charting its origins and its devastating impact on countries like the USA, Colombia and Russia. Featuring prominent statesmen including Presidents Clinton and Carter, the film follows The Global Commission on Drug Policy on a mission to break the political taboo and expose the biggest failure of global policy in the last 50 years
Breaking the Taboo
A writer forms a triangle with a schoolmarm and a Mexican general on the run.
Old Gringo
A documentary covering the years Luis Buñuel spent in Mexico making films.
A Mexican Buñuel
A historian goes to a castle library to translate some ancient erotic literature. While there he discovers what he believes to be supernatural forces at work.
The Witch
When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…
Pedro Paramo
Carrying his son on his back, a man travels from place to place looking for a doctor to treat the sick boy. As they journey, the indio father tells the boy stories to keep him distracted. These stories reveal the life of native peoples in Mexico, both in the countryside and in cities, and they shed light on characteristic beliefs and rituals.
Do You Hear the Dogs Barking?
Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.
Speaking of Buñuel
A poor, but very lucky man in the cock fighting business, is hired by a rich man, but both are in love with the same woman.
The Golden Cockerel
A man comes home after serving 18 years in jail for murder in this routine western. Although the man killed in self defense, rumors in town circulated that he murdered the victim in cold blood. The ex-con wants to get his life together, but the two sons of the slain man are gunning for the man who killed their father.
Time to Die
President Juárez fights against the conservatives, who have ordered an emperor to be brought from France to govern Mexico
Those Years
Using text from Mexican novelist Carlos Fuentes and ancient Aztec and Mayan poetry, viewers are lead on a visual journey through this country's rich and varied past and present. Stunning images and a dramatic musical score by Daniel Valdez create a vivid, insightful portrait of the Mexican people and their culture
Mexico
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Luis Buñuel: constructor de infiernos
Raimundo, a wealthy man, died of a heart attack. The notary reads out Raimundo's will, leaving all his estate and companies to the widow, Luz, with the surprising clause that she will remain without a man for the period of two years, during which his trusted attorney, Arturo, will be in possession of the whole patrimony. Luz being much younger than her late husband, resents this clause that will keep her captive of the dead man for so long. Her attempts to seek release in the night spots of the town do not prove satisfying. Lucia, the maid, starts an extortion scheme against the widow, menacing to denounce the murder of Raimundo with venom, as Luz and Arturo were lovers. The faithful cook and the gardener are dismissed and Lucía literally takes her employer's image, clothes, and manners - forcing Luz to play humbly to her (progressively insane) demands.
Las cautivas
While Mexico swims in the oil veins that were deeded to him by the Devil, a bureaucrat is thrown into a whirlwind of intrigue and international espionage where he discovers that the guts of the beast in charge are one and the same, and the evacuation conduit itself. : We are the shit of that monster. At the same time, a man and a woman discover that behind their passion there is a dark reality that drives them to disguise as action what is only hunger, suffering, desire.
Complot Petróleo: La cabeza de la hidra
"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."
Mexico Mexico
Four stories: The encounter between a soldier and a widow in a cemetery. A woman arrives as a maid in an unknown city where she discovers love. Another woman is tasked with caring for her lecherous uncle on his deathbed. A young man gets into trouble with his girlfriend's family when she suggests opening up their relationship.