Jean-Claude Vannier

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

Eric and Ramzy are working as window washers at the Montparnasse skyscraper in Paris. Thinking that he has a date set up with beautiful executive Marie-Joelle (who in reality hates his guts), Ramzy stays at work late while Eric hangs around with him. As a result, the pair witness a gang of terrorists seize the tower and take its late-night occupants (including Marie- Joelle) hostage. Knowing that only they can save the day, Eric and Ramzy swing into action.

Jean, a married 40-year-old filmmaker, and his young working class lover, Catherine, engage in a circular series of spectacular blow-ups and tentative reunions, their mutual desire a fire that burns them again and again.

1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?

Two young friends embark on a road trip across France in a vehicle they built themselves.

Playwright Charles Watson entertains his niece Lily by telling her about the adventures of Philibert.Both these people have something to do with Philibert.

Anne-Marie has a peaceful break-up with her boyfriend Alex, whom she doesn't love anymore. However, upon learning that another woman has come into his life, she becomes insanely jealous...

Serge Morgan is a killer working for the American Mafia. After performing a contract in New York for his employers, he takes the plane back to Paris and, during the flight, he gets to know Jane, the rich daughter of an ambassador. Once in Orly Airport he gets seriously wounded by the men of French drug kingpin Henri Emery. He manages to escape them though and takes refuge at Jane's. Passion sets in between the killer and the young lady. As of then, sex will be intertwined with blood and death. For better or worse...

A rebellious socially-conscious man travels to Nepal to find his dead-beat dad. There, he meets Jane, a beautiful hippie girl hooked on drugs. He's forced to steal artefacts for his father's slimy employer to earn money to help Jane.

A movie director does a new film against heroin consumption, and the producers are heroin dealers.

In a routine sex farce, Gautier (Jean-Claude Dauphin) is a man determined to figure out how to give a woman an orgasm -- which of course requires a lot of practice and experimentation. His buddy Roussel (Jean-Luc Bideau) also chases after women but does not share Gautier's unique quest. Rose (Nathalie Nell) finds Gautier entrancing and devises a way to capture his heart while helping him on his search for the ultimate turn-on.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

A french fantasy film with Christoph Waltz

In a deliberately erratic and disjointed fashion, this film follows the adventures of Bernard (Jean-Pierre Leaud). A young man from the provinces, he makes his pilgrimage to Paris and seeks adventure while living on a barge.

To replace Hector Grofenol, the tyrannical boss of the "Tout pour le camping" factory, who has been put out of action, a group of employees call on his cousin Achille, a Provençal shepherd, thinking they can use him. But Achille is quick to take his role as CEO seriously, and becomes very enterprising. Fortunately, young secretary Martine uses her charms to calm this man with a thirst for power.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

A large company offers consumers to acquire a "second identity", having the character traits that individuals would not normally adopt. Because of all these uninhibited behaviors, anarchy is quick to take hold.

A celebrity is caught by her husband with a young lover.

An 18-year-old beauty develops an attraction to an older photographer.

This variety show, with its new concept, is presented as a musical comedy. Having formed an orchestra, a group of young people perform in the courtyards of an old Parisian neighborhood, hoping to earn some money. But no one listens to them. All the tenants of the building are glued to their television sets. Only one mysterious man takes an interest in the group and offers them a box of magic matches.