Acting
In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.
A village in the interior of Portugal is preparing the best village festival ever, in the year that marks the centenary of its greatest benefactor. Everyone does their best in organizing the party always with something in mind: the inheritance of the elderly woman.
In the heart of the Alentejo countryside, Mariana and José Diogo are two children whose backgrounds could not be more different: she is the fruit of a loving relationship; he's an orphan. She has a safe haven in her family to run to when she gets hurt; he can only run to her.
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Comedy situations
Freedom is a state of mind... Carlos, José and Matias are three old friends who have known each other since childhood. José lives with his daughter, his son in law and his nine-year-old grandson Pedro. Being a grandfather is his only true source of happiness. Carlos is retired and spends most of his days tinkering. Matias, on the other hand, is a widower and lives alone and abandoned, as his son is living abroad. Each of them has a strong and contentious character of their own, but they are all joined by a deep friendship. When José is sent to a retirement home, Carlos and Matias set a plan to bust him out. They sneak into the retirement home and take him away from that depressing environment in which he was discarded. They know that they can’t come back home, so they decide to spend a while in Matias’ house up north. But, in the middle of their escape, they find José’s grandson snuck in there. Pedro doesn't want to leave his grandpa and insists on accompanying them in their journey.
Impossible Invasion is the fifth film in the Lisboa Sociedade Anónima series. Set in the 1960s, it is a touching descent into the emotional misery of the petty bourgeoisie living in rented rooms, suffocating on precarious civil service salaries, with a cultural horizon of soccer and television, and against the backdrop of the colonial war and the glory of the bridge over the Tagus. Noteworthy are the fine performances of the actors (especially Maria do Céu Guerra), the creation of an oppressive and mediocre atmosphere, well underscored by songs from the period, and the concise and rigorous characterization.
In Vale da Figueira, the Ventura prepare themselves for the first time to spend Christmas without the company of their children and grandchildren. But these plans change a few days before Christmas, when Francisco is taken to the hospital for emergency. This unexpected event will bring everyone inside the same house. Together, they renew their family spirit by accepting the changes that these days of coexistence have brought.
The Soares are a bourgeois couple, living in a good neighbourhood of Lisbon, but João, their son, is not integrating well in that pattern. He attends more political meetings than classes at the Faculty of Economy, and gets a job but that's short lived because his female boss makes him her lover. He longs for the coffee shops, and the companions of old, but he doesn't get true love from anyone.
Dona Elvira promises to get a job from José through the typical Portuguese wedge. In parallel, they are bizarre aspects and eccentric figures of the city life, including the tragedy of the actress Maria Alves.
A passion between a 42 years old man and a young girl.
A man died under mysterious circumstances. An insurance company expert has to visit the four women in his life - his mother, his widow, his daughter and his mistress - to find out the causes of death. With each account, the deceased will appear in a new light, to the point where it is doubtful that it is the same man.
A young man returns to his native Alentejo countryside and encounters the legendary seductive “enchanted moura,” sparking a poetic journey that intertwines ancient Arabic folktales with contemporary rural life. Drawing on medieval prose and verse, the film explores cultural memory and pagan traditions through visual folklore rooted in Portuguese-Arab heritage.
