Maria do Céu Guerra

In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

A village in the interior of Portugal is preparing the best village festival ever, in the year that marks the centenary of its greatest benefactor. Everyone does their best in organizing the party always with something in mind: the inheritance of the elderly woman.

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In the heart of the Alentejo countryside, Mariana and José Diogo are two children whose backgrounds could not be more different: she is the fruit of a loving relationship; he's an orphan. She has a safe haven in her family to run to when she gets hurt; he can only run to her.

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Freedom is a state of mind... Carlos, José and Matias are three old friends who have known each other since childhood. José lives with his daughter, his son in law and his nine-year-old grandson Pedro. Being a grandfather is his only true source of happiness. Carlos is retired and spends most of his days tinkering. Matias, on the other hand, is a widower and lives alone and abandoned, as his son is living abroad. Each of them has a strong and contentious character of their own, but they are all joined by a deep friendship. When José is sent to a retirement home, Carlos and Matias set a plan to bust him out. They sneak into the retirement home and take him away from that depressing environment in which he was discarded. They know that they can’t come back home, so they decide to spend a while in Matias’ house up north. But, in the middle of their escape, they find José’s grandson snuck in there. Pedro doesn't want to leave his grandpa and insists on accompanying them in their journey.

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Comedy situations

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In Vale da Figueira, the Ventura prepare themselves for the first time to spend Christmas without the company of their children and grandchildren. But these plans change a few days before Christmas, when Francisco is taken to the hospital for emergency. This unexpected event will bring everyone inside the same house. Together, they renew their family spirit by accepting the changes that these days of coexistence have brought.

Seventeen experts on history and arts deliver brief lessons on their favorite subjects, considered the most relevant to cover nine hundred years of Portuguese culture. The camera shows from a distance, or in minute detail, the monuments or art pieces considered, or even the texts discussed by the narrators, reenacted on stage or recited by actors.

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.

Lúcia is an independent woman who lives alone in Lisbon. Her father commits suicide leaving her a message on phone recorder, revealing a letter he wrote. However Lúcia can't find it in her father's house. On that visit she ends up meeting with her mother, a known political activist with whom she has a distant and tense relationship. In hope of finding the letter, Lúcia leaves to the farm where she grew up, on an isolated location. There she reencounters Álvaro, an old childhood companion, who shares a little life time he has left between roses and the piano, and the guardian angel that follows and protects her through nocturnal wanderings.

The story of the CEO of a recently privatized company.

A passion between a 42 years old man and a young girl.

Dona Elvira promises to get a job from José through the typical Portuguese wedge. In parallel, they are bizarre aspects and eccentric figures of the city life, including the tragedy of the actress Maria Alves.

A fiction within fiction, in which a television crew shoots a film about the poet and philosopher Anthero de Quental, from São Miguel, in a vision of his life and work staged and told through the fictionalized testimonies of those who knew him. The poet's life and death will be staged through the eyes of a group of traveling performers and the testimonies of some of the personalities who knew him best: Ramalho Ortigão, Eça de Queiroz, Oliveira Martins, Teófilo Braga, and his sister Ana Quental, whose sometimes contradictory points of view will attempt to unravel some of the enigmas that haunted Athero's tormented existence and the complete reasons that led him to the bench where, under the anchor of Hope, the poet described his life and committed suicide.