François Reichenbach
Directing
Biography
François Arnold Reichenbach (3 July 1921 – 2 February 1993) was a French film director, cinematographer producer and screenwriter. He directed 40 films between 1954 aEarly life François Reichenbach was born in 1921 in Neuilly-sur-Seine. His father Bernard Reichenbach was a successful businessman and his mother Germaine Angèle Sarah Monteux had a passion for music, which she passed on to young François. His maternal grandfather Gaston Monteux was a wealthy industrialist: he was one of the first to buy paintings by Chagall, Braque, Picasso, Soutine, Utrillo and Modigliani. In his memoirs François Reichenbach says: "At the age of five I was terrified by all the faces in the paintings. And I became a forger. I added mustaches and hairs to the nudes of Modigliani. This hoax takes on another dimension when you know that I made a film with Orson Welles about the forger Elmyr de Hory in 1973. He is the nephew of the industrialist and manuscript and book collector Jacques Guérin and the cousin of the film producer Pierre Braunberger, who encouraged him to make films. During the Second World War, François Reichenbach went to Geneva. Although he was born in France, he also has Swiss nationality because his paternal grandfather, Arnold Reichenbach, is a rich Swiss industrialist working in the embroidery industry in St. Gallen. He studied music at the Geneva Conservatory of Music, where he met the film director Gérard Oury. After the Liberation, he wrote songs, notably for Édith Piaf and Marie Dubas. Then, remembering the huge collection of paintings of his childhood, he left for the United States with an emigrant card to sell paintings. He started in New York as an advisor to American museums for the purchase of works of art in Europe, then he sold master paintings. He spent several years in the United States. On his deathbed, François Reichenbach confided to Danièle Thompson his wish to be buried in Limoges where he had spent his vacations in his youth. Faced with the protests of the screenwriter, arguing that it would be inconvenient to visit him, the filmmaker replied "Those who love me will take the train". This quote inspired Danièle Thompson to write the title of the film Ceux qui m'aiment prendront le train (Those who love me will take the train) by Patrice Chéreau, starring Jean-Louis Trintignant, Charles Berling and Vincent Perez. François Reichenbach died on February 2, 1993, in Neuilly-sur-Seine, a posh neighbourhood near the capital. He is buried in the Louyat cemetery in Limoges. This pioneer of the New Wave through the importance of his cinematographic work makes this man, with a free and respectful look at others, a privileged witness of his time. He always has a camera loaded on the back seat of his car to film immediately just in case, because he likes to "film everything that moves ". The famous magazine Cahiers du cinéma wrote: "François Reichenbach was born with a camera in his eye". ... Source: Article "François Reichenbach" from Wikipedia in English, licensed under CC-BY-SA.
Known For
Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.
Apostrophes
No description available.
Sacrée soirée
Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.
Spécial cinéma
Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.
Le Grand Échiquier
No description available.
Cinépanorama
No description available.
Samedi soir
Inspired by Giovanni Boccaccio's 14th-century collection of novellas known as The Decameron, this innovative film combines short works from seven directors who set out to interpret Boccaccio's masterwork for the modern age. The result is an assortment of titillating tales ranging from the erotic to the tragic.
Decameron '69
A young hustler tries to get drug money by selling a boy to a middle-aged man; his plans are disrupted when the kid dies.
Forty Deuce
Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.
F for Fake
This colorful documentary chronicles the events of the 1968 Winter Olympics in France. The events made international celebrities of skater Peggy Fleming and skier Jean-Claude Killy for their gold-medal performances. The camera accurately catches the speed of bobsleds and downhill racers and ski jumpers as they race for the gold. President Charles DeGaulle is shown observing the action over 13 days, which saw France earn the best performance to date in the winter games.
13 Days in France
The guardian of a nursing home lends a compassionate ear to the complaints of two new pensioners who love each other and have only one dream: to see the sea. To help them realize their dream, the brave man steals the car of the director. She quickly discovers the crime and drags her pale husband to the pursuit of the trio, aboard a tanker truck...
The Right of the Maddest
Carrying his son on his back, a man travels from place to place looking for a doctor to treat the sick boy. As they journey, the indio father tells the boy stories to keep him distracted. These stories reveal the life of native peoples in Mexico, both in the countryside and in cities, and they shed light on characteristic beliefs and rituals.
Do You Hear the Dogs Barking?
A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.
Le Paris des mannequins
François Toledo, married businessman and father, falls head-over-heels in love with Janine, a work colleague. However, he is soon found out: after three dates, he strangles some prostitutes, when, the victim of blackmail, he becomes dishonored. He is taken to court, and sentenced to be killed by a guillotine.
Life Love Death
This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra. The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José. On its release the film was hailed by Die Presse, (Vienna) as a “unique artistic event”, while Le Monde felt that Karajan’s production brought “a whole new dimension” to the opera, “combined with a magisterial interpretation”. A classical and utterly dramatic approach to probably the world's most beloved opera – Karajan’s Carmen is as much a delicacy for opera fans as it is a perfect starter for newcomers.
Bizet Carmen
Excerpts and fragments from different interviews with Orson Welles making a statement to journalists in fluent French about his career and his conception of life.
Portrait d'Orson Welles
François Naulet turns his bedroom into an island of drugs, loneliness and despair.
Repeated Absences
Seeing an opportunity to make a financial recovery for the family, a nobleman attempts to wed his son to his wealthy friend's daughter. His plan is to send the boy for a cruise on the SS France with the prospective female. Upon arriving to meet the lovely girl, the young man switches places with his valet. Unbeknownst to him, however, is the fact that the girl has pulled a similar deception. Though Jean-Marc Ripert is responsible for much of the cinematography in this New Wave comedy, it is Francois Reichenbach who handled the camera for many of the ocean-liner scenes.
The Lovers of the France
This documentary recounts the life of the late composer Michel Legrand, known for his works on Les Parapluies de Cherbourg or Les Demoiselles De Rochefort with the famous director Jacques Demy.
Michel Legrand, sans demi-mesure
"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."