Eduardo de la Serna

A corpse appears in the underground tunnels of a house, or perhaps they're the dark corridors of the subway. The dead man doesn't speak, yet stories are woven around him. Just like in a novel, the characters create their own fiction, a story to tell to children, to society, or a way to imagine the missing passages of recent Argentine history. Félix the pool attendant and Kike the subway employee, both writers, take us, not without humor, to a narrative beyond the daily life: What remains to be resolved? How do you clean a pool full of frogs? Who is the dead man in the trunk? Is he one of the many people who disappeared during the dictatorship?

The actors of "Cyrano a Franco-Argentine vaudeville" fight at the time of greatest success of the play. After a few months, the director, Pablo Bontá, decides to replace the project with a new actor. To follow this process of reconstruction is to immerse oneself in the odyssey of the independent Argentine theater.

Two little girls start going to primary school in two very different schools.

Meet Daniel Burmeister, the most prolific filmmaker you've never heard of. Armed with a camera, a lamp for night shoots, and enough charm to persuade entire towns to join in on his dreams, this tireless, jolly DIY veteran rolls in his beat up old car from one backwater Argentine town to another, where, in exchange for room and board, he turns out a feature film in 30 days. Adapting one of his ready-made scripts to each town, he temporarily transforms these sleepy villages into bustling back lots and the bored populace into avid performers. Coupling high energy with irresistible salesmanship, Burmeister keeps in constant motion. It took the combined efforts of three filmmakers to keep up with him, and their camera is there to capture his every move, recording his reflections on life, his recollections of his past, and his remarkable ability to solve a host of on-set mishaps.

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