Ute Aurand

Jón in Akureyri is the second part of Detel + Jón. I filmed Jón Sigrurgeiersson walking through the streets of his childhood, meeting his filmmaker brother and telling childhood stories.

Flug durch die Nacht, shot during Ilona Baltrusch's studies at the Deutsche Film- und Fernsehakademie Berlin - DFFB, explores the relationship between language and image. The film follows the two protagonists, Gretel Kemeny and Martin Peter, through 1980s nocturnal Berlin.

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform relationships between the body and the camera to propose works that will engage with both perception and embodiment. Could cinema be an art of embodiment? By what rituals and actions could vision become tactile?

Experimental film about a train ride. The carriage window becomes a screen, the landscape a mood, the mood a landscape.

Beavers revisits locations in Berlin first filmed in Diminished Frame (1970), alongside sites in Massachusetts, to reflect on how lived places shape vision and memory. Moving between past and present, the film becomes a meditation on perception, time, and the persistence of personal landscapes.

A collection of fleeting observations that document the passage of time through intimate encounters with friends and family captured between 1999 to 2018.

Filmed in Switzerland and released as part of a triptych with A Walk, Zuoz features the filmmaker Robert Beavers skating on ice. Beavers represents another “new beginning” in Aurand’s practice. She recalls seeing his work in the late ‘90s and “enter[ing] a space beyond the images where one is entirely within oneself and simultaneously in the world … where one is simply present and receives the full gift of the film.”

In Aurand’s signature diaristic form, roses in bloom, farm animals, Orkney landscapes, and scenes of the late filmmaker Margaret Tait having tea are rendered through expressive Bolex movements as well as the director’s active camera, and punctuated by abstract swaths of saturated and shifting colors. The film is an homage to Tait, whom Aurand visited in Orkney.

A walk, a moment at the beach... And the Japanese filmmaker Utako Koguchi behind the heard piano.

Maria Lang is my very close filmmaker friend who lives in the southern german countryside. We see her gardening and visiting an exhibition of female impressionist painters.

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"Franz von Lucke is my godchild, and I have filmed him since he was very young. Franz is now 26 years old." U.A.

"Toying with string" is painting transformed into film. Color, threads, stones, various natural elements give birth to images constantly changing in form. This metamorphosis is made visible – we see one thing arising from another and giving birth to something new. “Toying with string is by two sisters, one is a painter, the other a filmmaker. A new quality develops from the knowledge each one brings. The film is lively and leaves a free and happy feeling”

Young Pines grew out of three trips to Japan between May 2009 and November 2010. Invited to Japan for a series of film screenings, I began filming in Yokohama, Tokyo, and Kanazawa. Even in the big cities, I experienced how strongly the Japanese feel connected to nature and how they tend to see no contradiction between culture and nature. I found this stimulating and in harmony with some of my own impulses. I wanted to return and film more in other seasons. In Spring 2010 I visited Kamakura, Kyoto, and Nara, in November I went Northeast and filmed in Matsushima, Tono, Miyako in Atsumi, Yamadera, and Nikko. All of my film images have been filmed before the disaster of the Tsunami and Fukushima, but the final editing was done in the following months.

Throughout her work, Aurand frequently makes her camera and her images felt as an active, moving body—spinning, rushing, departing, returning, expanding, contracting, hanging upside down. In A Walk, her film goes walking. The camera occupies a snowy Swiss setting, as Aurand creates a material, tonal landscape that is both nebulous, serene, and wonderfully energetic.

Scenes in the park of the Rietberg Museum in Zurich with its collection of Asian, African and Indian art.

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An imaginary journey on a ship. We turned the building of the Film Academy into a ship. Claire and Solange from a Jean Genet piece, a polish woman with her Madonna, screaming sailors are a few of the passengers on this artifical journey.