Maurice Good

The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.

Public Eye is a British television drama broadcast from 1965 to 1975 on ITV1. Produced by ABC Television for three series, and Thames Television for a further four, the programme follows the investigations and cases handled by the unglamourous enquiry agent Frank Marker.

The New Avengers is a British secret agent fantasy adventure television series broadcast during 1976 and 1977. It is a sequel to the 1960s series The Avengers and was developed by Albert Fennell and Brian Clemens. A joint United Kingdom-France-Canada production, the show picks up the adventures of John Steed and his team of Avengers fighting evil plots and world domination. Whereas in the original series Steed had almost always been partnered with a woman, in the new series he had two partners: Mike Gambit, a top agent, crack marksman and trained martial artist, and Purdey, a former trainee with The Royal Ballet who was an amalgam of many of the best talents from Steed's previous female partners.

An anthology of single plays offering up adaptations of either of prominent stage plays or novels.

Pulled from actual case histories and utilizing newsreel and documented narratives, the activities of spies from various countries are depicted as far back as the American Revolution and as recent as the Cold War.

New Scotland Yard is a police drama series produced by London Weekend Television for ITV from 1972 and 1974. It features the activities of two officers from the Criminal Investigations Department in the Metropolitan Police force headquarters at New Scotland Yard, as they dealt with the assorted villains of the day.

A mysterious artifact unearthed below a London Underground station proves to have powerful psychic effects on the people around.

A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.

Anthropologist Dr Brockton unearths a primitive troglodyte — an Ice Age 'missing link': half-caveman, half-ape — in a local cave. Through experimentation, she manages to communicate with and domesticate him before he's released by an irate land developer and goes on a rampage, terrorising the local citizenry.

Esoterica collector Dr Maitland buys an unusual skull from his ordinary source; the artifact is what remains of the Marquis De Sade. Much too soon, Maitland discovers that the skull is turning him into a frenzied killer.

A police inspector (Donald Sinden) tracks down Russian anarchist Peter the Painter (Peter Wyngarde) and his gang in circa-1911 London.

Pop singer Vicki Robbins collapses from exhaustion while shooting ta music video; her physician prescribes a respite on Seagull Island with beekeeper Ralph Hargrove. Initially finding the Hargroves' bitter marital strife oddly relaxing, the arrival of specially-bred attack bees pushes Vicki to her survival instinct.

When meteors in a curious V-formation crash on a Cornwall field, an alien force possesses several scientists and infects bystanders with a deadly disease. Shielded from the meteor's influence by a metal plate in his head, Dr Curtis Temple discovers that an alien race on the moon seeks to use the manipulated geniuses for seemingly nefarious purposes. But, as he learns more about the invaders, they may not be as evil as initially thought.

Three vignettes of old Irish country life, based on a series of short stories. In "The Majesty of the Law," a police officer must arrest an old-fashioned, traditional fellow for assault. The man's principles have the policeman and the whole village, including the man he slugged, sympathizing with him. "One Minute's Wait" is about a little train station and glimpses into the lives of the passengers, with a series of comic setups. The third piece, "1921," is about a condemned Irish nationalist and his daring escape.

Robert Ross (Brent Carver) lives a protected adolescence in a well-off Toronto suburb. Secretive and withdrawn, he shares his thoughts only with his sister Rowena (Anne-Marie MacDonald) who is mentally disabled. He feels compassion for his weak and conventional father. He avoids any confrontation with his mother (Martha Henry), a dominating woman whose despondency at having given birth to a handicapped child has turned to bitterness. Rowena occupies a central position in Robert's existence of daydreams and make-believe. When she dies, Robert clashes openly with his family, and decides to take himself in hand. It's 1914. He enrolls in the Canadian army, and, after training in Alberta and Montreal, he finds himself in England and France. The war becomes another way for him to resolve his conflicts, his dramas, his passions--his wars.

A wealthy businessman schemes to steal the valuable Crown Jewels from the heavily guarded Tower of London, but many tricky factors await, including a doppelgänger and a vessel escape on the Thames.

Young lovers Hero and Claudio, soon to wed, conspire to get verbal sparring partners and confirmed singles Benedick and Beatrice to wed as well.

The swaggering Petruchio agrees to marry the spitting hellcat, Katherine.