Acting
Premiered in 1926, Leoš Janáček’s absorbing masterpiece Veˇc Makropulos reflects all the dominant musical styles of the early 20th century, from Bohemian tunefulness to big Straussian phrases, Berg-like jaggedness and primeval rhythms. With the “breathtakingly grandiose” (Salzburger Nachrichten) Angela Denoke in the lead role, this emotionallypowerful opera was given superior treatment at the hands of the Wiener Philharmoniker under Esa-Pekka Salonen. Recorded live at the Salzburger Festspiele on 8 & 30 August 2011. Angela Denoke stars as Emilia Marty, with Raymond Very as Albert Gregor, Peter Hoare as Vitek, Jurgita Adamonyté as Krista, and Johan Reuter as Jaroslav Prus. Esa-Pekka Salonen conducts the Wiener Philharmoniker.
Television version of the Lehar operetta.
Così fan tutte, comic opera in two acts by Wolfgang Amadeus Mozart that premiered in Vienna on January 26, 1790. It is the last of his three operas with librettist Lorenzo da Ponte, the first two being The Marriage of Figaro (1786) and Don Giovanni (1787). Presented by the Salzburg Marionette Theatre with narration by Sir Peter Ustinov.
The Wiener Philharmoniker mounts, and Andrea Breth stages, this 2007 production of Pyotr Illych Tchaikovsky's opera Eugene Onegin, starring Peter Mattei, Joseph Kaiser, Anna Samuil and Renée Morloc. The Konzertvereinigung Wiener Staatsopernchor lends added musical accompaniment, under the baton of Daniel Barenboim.
The legendary Patrice Chéreau (Bayreuth Jahrhundertring, Queen Margot, Intimacy) directed this production of Richard Wagner's psychological music drama Tristan und Isolde at the Teatro alla Scala in 2007. It stars Ian Storey, Waltraud Meier, Matti Salminen, Gerd Grochowski and Michelle DeYoung; the Orchestra and Chorus of the Teatro Alla Scala provide musical support, under the baton of Daniel Barenboim.
Opera version of the classic Dickens tale.
The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.
Opera singer Kiri Te Kanawa talks to Bernard Levin and sings scenes from Don Giovanni, The Marriage of Figaro, Otello and La Boheme. With Ryland Davies, Elizabeth Bainbridge and the Orchestra of the Royal Opera House conducted by Robin Stapleton.
Set around a classic case of broken vows – the defendant having literally left the claimant at the altar – the trial bubbles over with emotion, humour, and downright chaos, leaving the jury divided.
The prince is suffering from severe depression, and only laughter can save him.
