Eduardo Tornaghi

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After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

On Paquetá Island, Carolina dreams of reuniting with a childhood sweetheart, unaware that it's Augusto, her brother's friend. After adventures and misunderstandings, the couple struggles to stay together.

The story revolves around the conflicts within Silvana and Oliva's family—her mother and paternal grandfather—who are fighting for custody of Zeca after the child's father dies.

A down-on-her-luck former inmate tries to reconnect with her daughter--to the objections of her sister who raised the girl, meets a millionaire, and transforms into a strong woman, returning to society at Dancin' Days nightclub's opening.

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On the eve of the Republic, the clash between the monarchist Aristarco and his son Jorge, a defender of the republican cause, enlivened the Ateneu College and sparked passions and persecutions.

Fernando, a confirmed romantic, will do anything for his beloved Suzana. However, to live out their romance, he will have to go against his father, who rejects Suzana because of her economic status.

Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.

In love since childhood, Flô and Arnaldo join forces in the fight for the abolition of slavery. They will have to face challenges and prejudices to be able to live their love.

Financial problems in a religious school for girls force the government to interfere. While waiting in the conference hall to communicate the fact to the school administrators, the intervenor falls asleep and a crazy dream begins, involving teachers, students and strange characters.

Based upon the life story of Father Antonio Vieira, born in Lisbon in 1608 and deceased in Salvador, Bahia, in 1697. He's considered the first Brazilian writer and one of the most important aesthete of linguistic and of the Portuguese language of all times, a master in the art of metaphor, of verbal relations and analogy. He was persecuted and condemned by the Portuguese Court of Inquisition due to his position against native slavery, against the intolerance to the Jewish people and to the colonial politics of exploration.

The story of one of the most important Brazilian heroes, Joaquim José da Silva Xavier, known as Tiradentes. He was the leader of a group who tried to proclaim Brazil's Independence from Portugal in 1789. But he was betrayed by one of his comrades and hanged.

In an empty city, scorched by the sun, the young and old confuse the fever of sunstroke with the delicate birth of passion. Like ghosts, they hover around buildings and endless flatlands in search of the ever elusive love. Inspired by 19th century Russian short stories, the plots weave and unravel together in the improbable city of Brasilia – a distorted mirror-image of the Soviet utopia – located in the heart of the Brazilian desert.

A circus clown's life spirals out of control when his wife, a trapeze artist, dies during a performance, and, to his chagrin, their son vows to follow in his mother's footsteps.

Somwhere in the city of Porto Alegre, a man who has lost his memory is questioned by a group of police officers about the barbaric murder of a socialite. Without recognizing himself in the documents he carries in his pocket, he wanders through the underworlds of the city in search of an answer.

In the post-pandemic future of covid-19, will the centrality be the financial casino and the accumulation of wealth by an elite or a quality life for all, with less inequality? Did the minimal state show itself capable of serving the collective? How to guarantee life without social and labor rights? What model of society do we want to live in? The film addresses the dismantling of the concept of social welfare and makes us reflect on the incompatibility of neoliberalism with a humanist project of society.

After 20 years of exile in Paris, Gustavo returns to his native city São Paulo. Back home, he encounters a place which no longer exists. His old friends and family members have changed, almost beyond recognition. He tries to recapture the past, and make some sense of his life, that of his friends and family, and the present state of his native country.

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