Charles de Gaulle

Pulled from actual case histories and utilizing newsreel and documented narratives, the activities of spies from various countries are depicted as far back as the American Revolution and as recent as the Cold War.

An immersive 360-degree narrative telling the epic story of the Vietnam War as it has never before been told on film. Featuring testimony from nearly 80 witnesses, including many Americans who fought in the war and others who opposed it, as well as Vietnamese combatants and civilians from both the winning and losing sides.

A six-part French documentary about the Second World War composed exclusively of actual footage of the war as filmed by war correspondents, soldiers, resistance fighters and private citizens. The series is shown in color, with the black and white footage being fully colorized, save for some original color footage. The only exception to the treatment are most Holocaust scenes, which are presented in the original black and white.

A look back at the social movements, revolts and youth subcultures from the post-war period to the present day: after the World War II, the left-bank of Paris became a mecca for jazz and alternative living, youth culture was born with trailblazing American movies, and rock became the soundtrack to a generation that wanted to change everything.

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May 10th, 1940, Hitler takes on the West. Will he precipitate Europe into the Apocalypse?

René Lévesque was a Canadian television miniseries that aired on CBC Television in 2006. It stars Emmanuel Bilodeau as former-Quebec premier René Lévesque.

North Africa, 1954. The Algerian war of independence begins, a traumatic and extremely violent catastrophe that for eight long years will shake and finally overthrow the foundations of the colonial regime established by France in 1830.

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New York City, October 10, 1965. A group of wooden giant figures from Pamplona, representing Basque culture and traditions, parade down the street; but the local authorities have not allowed the appearance of all of them: due to the racial prejudices that persist in many sectors of society, the participation of two black giants has been banned.

Marooned sailors discover a World War II ship haunted by its late captain.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

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Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.

A documentary of the decline of America, composed of archival material and exclusive footage, carnage, madness, and mayhem with an unapologetic sincerity on the factual depiction of violence in the industrialized nation of the United States. Featuring a juxtaposition of detailed accounts of terrible acts, brutal behavior, and interviews from experts and convicted killers alike.

Chris Marker’s A Grin Without a Cat is an epic political essay tracing the rise and decline of the global left from the 1960s to the 1970s. Through archival footage and commentary, the film examines revolutionary movements in France, Latin America, and beyond, reflecting on the ideals, failures, and fading hopes of a generation.

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In the summer of 1963, François Mitterrand was going through a deep existential crisis. His political career was at a standstill and, after 19 years of marriage, the couple had grown apart. It was at this point that François Mitterrand met the woman who was to give new meaning to his life. Anne Pingeot, aged 19, was to become the companion of a lifetime, a woman who would be with him throughout his rise to power and who would remain by his side until his last breath. For the first time, Anne Pingeot has agreed to allow the fragments of this passionate love story — hundreds of letters and a diary — to be shown on television, before being donated to the National Library.

A mental journey - historical, political, musical and metaphysical - in contemporary times, from the Sixties until nowadays.