Louis Borel

Story of a wanderer with a golden heart. His constant quarrel with Brom's patrol and hidden love with Saartje, the mayor's maid. Filled with humor, real problems of all time. Great series at the time.

In Marseilles, France in 1794, Desiree Clary, a young millinery clerk, becomes infatuated with Napoleon Bonaparte, but winds up wedding General Jean-Baptiste Berandotte, an aid to Napoleon who later joins the forces that bring about the Emperor's downfall. Josephine Beauharnais, a worldly courtesan marries Napoleon and becomes Empress of France, but is then cast aside by her spouse when she proves unable to produce an heir to the throne.

Dirk van der Kooy returns to the Dutch East Indies for a five year stint as the administrator of a sugar factory. His second wife Betje, however, unexpectedly decides to join him. Once there, she finds out that Dirk has a daughter from an earlier marriage, leading to misunderstandings galore...

American crime reporter John Jones is reassigned to Europe as a foreign correspondent to cover the imminent war. When he walks into the middle of an assassination and stumbles on a spy ring, he seeks help from a beautiful politician’s daughter and an urbane English journalist to uncover the truth.

France, 1803: 11 years after the Revolution, a royalist underground is led by a new 'Scarlet Pimpernel', the Purple Mask, who rescues nobles in distress and kidnaps Napoleon's officials for ransom, aided by the spy services of a group of lovely models headed by Laurette (really the Duc de Latour's daughter). But even she doesn't know the Purple Mask's real identity as foppish dancing master Rene...

One day, Doctor Kroch (Henk van Ulsen) receives a chest full of gold, accompanied by a half-illegible letter pleading for help. The doctor pays no further attention to it; the patient, after all, is asking for a cure for... gold fever. When the chest is later stolen by bandits Oenk (Tabe Bas) and Boenk (John Lanting), Doctor Kroch starts to think there might be more to it after all. He decides, together with his servant Valet (Henk Molenberg), to try to find the sender of the letter, the Duke of Woestewolf (Ton van Duinhoven). During his journey, the doctor is warned by Esmeralda, a gypsy fortune-teller (Elsa Lioni). Nevertheless, he continues his journey. “Ghosts do not exist. Everything can be explained by science,” the doctor claims. But the closer he gets to Woestewolf, the stranger his adventures become.

Three students decide to share a flat, each courting a young woman. While they pass the time teasing their rival Piet Janssen (de Klit) and nosy neighbour Mr. Smallebroek, rumours and arguments threaten to drive the boys and their crushes apart.

Two women plot to get rid of an unwelcome house guest.

Willy, the son of baron Van Hergershuizen, finds himself disinherited after he marries an untitled girl. His wife decides to take action and applies for the job of the baron's housekeeper.

Young Jane Benson just about manages to make ends meet running the large family house in Yorkshire. In love with local doctor Freddie Jarvis, she suggests they marry, but almost at once finds she has inherited eighteen million pounds. He makes it clear he wants nothing to do with the money and what it can buy, and Jane sets off alone on a spree pursued by two ardent suitors. Jarvis finds he has gained notoriety for turning down such a catch and his plans for ernest research are soon compromised.

The Captain of a tramp steamer is forced by his ship's owner to smuggle some priceless pearls, and take them to Singapore.

A young girl, Mary Tillet, is forced to find a new place to live due to her London home being bombed during World War II. Her tobacconist landlord, Jack Rawling, tries to help her turn her new apartment into a home. Meanwhile the newspapers are reporting news of the "London Blackout Murders," a murder spree being committed against a ring of suspected Nazi spies, and Mary must determine if her kind landlord is an assassin.

Legendary British musical-comedy favorite Jessie Matthews chalks up another winner with Head Over Heels in Love. The ever-charming Matthews plays Jeanne, a Parisian entertainer who manages to get herself in hot water with the French version of Actors' Equity and is forced to take a series of jobs under a series of assumed names. Meanwhile, a romantic triangle involving American film star Norma (Helen Whitney Bourne) and gangsters Pierre (Robert Flemyng) and Marcel (Louis Borrell) spells big trouble for all concerned -- including the plucky Jeanne. Highlighted by six sprightly song numbers, Head Over Heels in Love is our girl Jessie's vehicle all the way, and never mind the "main" plot. The film was directed by Sonnie Hale, who just so happened to be the star's husband.

A group of travelers find themselves stranded for the night at a deserted train station, which according to the old stationmaster, has been haunted for the last 20 years.

A Chicago gangster is pleasantly surprised by violent crime in London. When he discovers crooks are after a mysterious package, and murder an innocent match-seller for it, he turns detective.

A lawyer tries to clear his wife's lover of murder charges.

Painter Peter Hartman is arrested at the scene of a murder. He soon turns out to have ties to the victim's young widow. As Inspector Stroomer begins to unravel the mystery, two very different sides of the story are presented to him. Now it is up to Stroomer to find enough photographic evidence to make out which version is the truth.

Novelist Philip wants to employ a beautiful young secretary, much to his wife Inez' disgust. After a particularly nasty scene, he packs his bags and leaves. Shortly after, his father-in-law arrives from Indonesia, mistaking family friend Willem for his son-in-law. Willem falls in love with Fientje Peters, the secretary in question, who has another admirer in Mr Bakker, the chief clerk at the hotel, who in turn is worshipped by his own secretary -- a tough tangle to sort out.

As years pass, the Craets-Goldeweyn family must cope with the disappearance of the familiar and the inescapable new that imposes itself.