Directing
A documentary about sex based on the world of funk, the most powerful and popular musical genre in Brazil. Without moralizing, the film reveals how, through the body, dance, lyrics, and experiences of its artists, funk expresses resistance, desire, pleasure, and personal affirmation. Combining footage of dances, bodies in motion, key figures from this universe, everyday scenes, and a beat that makes everyone move, the film celebrates funk as a vital and cultural force in the Brazilian periphery.
Vou Rifar Meu Coração is a documentary about the performers and the followers of Brazilian romantic music – also known as brega (kitsch), often called "cheesy" by critics and the wealthy elite. Frequently associated with bad taste and poor quality, the style is admired by the lower working class, or unemployed population, originally from rural origins, banished to the cities in search of work and a better life. Using the music as a catalyst, this documentary shows the sentiments, love, suffering and sexuality of the fans and their idols, creating a scenario that reveals their practices and desires.
A film about the universe of Clementina de Jesus, singer revealed at the age of 63 as one of the greatest voices in the history of Samba.
Five directors with five completely different cinematic styles go on an affectionate journey through each one of the five states bathed by the gigantic São Francisco River. Faith, passions, legends and the search for survival in the riverside communities of this river full of colors, which cuts through the dry hinterlands and flows into the exuberant sea of Northeastern Brazil.
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This dynamic video collage, described by its makers as a "popular symphony," captures the soul of Brazil and its inhabitants in words and visuals. The history of this South American country is marked by oppression and defiance, by resilience and solidarity. Music is the motor propelling this rhythmic, often ironic, and sometimes horrifying impressionistic blend of archive and new footage, interviews, voice-overs, commercials, scenes from television series and surveillance camera images.
Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.
Talking about abortion in Brazil is still taboo, however, in recent years, protesters have protested against criminalization laws and highlighted the need to debate the subject.
