Lu Ti

Set at the time of Italian explorer Marco Polo's historic expedition to China ,during the reign of Monogol ruler Kublai Khan, it stars American actor Richard Harrison as Polo. Taking considerable liberties with the historic record, the film has Polo turning up as an Imperial Inspector assigned to root out Chinese rebles in the south, but eventually being won over to their cause.

A whacky 1974 comedy starring David Chiang who was also the director, that's one to see. Well it certainly is whacky, and the film is actually a number of short pieces, varying in length from a couple of minutes to the last story that is 30 minutes or so.

Four highly skilled fighters unite to take on a ruthless criminal gang, battling corruption, murder, and injustice in the wake of the Korean War.

Hu Te et al. escape the burning Shaolin temple after the Qing soldiers destroyed it in Shaolin Temple. The group of 5 decide to develop secret codes to identify fellow patriots, enlist those patriots and eventually meet up again to escape to the south away from the Qings, and also identify the traitor who sold out Shaolin temple. Ma Fu Yi, joins the Qing top fighters to eliminate the rebels but is exposed by Ma Chao-Tsing who gets captured by Ma Fu Yi. Hu meets up with a group of Shaolin men secretly posing as bandits to rescue Ma as their leader is killed in the process, thus the bandits join the rest of the Shaolin patriots.

After the destruction of the Shaolin Temple, the Chings are in control and send their best students to wipe out all of the remaining Shaolin practioners. They almost succeed, but two students escape. They learn various Kung Fu styles from different teachers to combat the Ching's two kung fu fighters.

Wang Wu, a skilled swordsman, befriends Tan Tzu-tung, a scholar who encourages him to join a reform movement in China. Together, they face challenges as they fight for change.

Tang Dynasty emperors, Ming Dynasty scholars, assorted fortunetellers, and several Buddhist monks figure in a trio of erotic and mystical Chinese legends.

Three young martial arts brothers, played by Chi Kuan-chun, Alexander Fu Sheng and Leung Kar-yan, go in search of fellow patriots dissatisfied with Imperialist foreigners and wind up joining a rising sect of the Boxers, led by an opportunistic conman. Named as such for their use of martial arts, these boxers are revolutionaries who believe that spirits protect their bodies from foreign guns. They even dupe the Empress Dowager, who gives them her royal blessing to fight the foreigners.

This story is centering around a Ming Dynasty brothel that steams with secret erotic myths, trysts and twists of pleasurable indulgence. A shaw production

A penniless bumpkin from the country who fights his way to quick riches in the city as an enforcer for a textile factory that's threatened by a competitor.

An honourable carriage driver finds love and death when he battles particularly homicidal street punks

A pacifist village is beset by bandits in this martial arts thriller. "Savage Five" hands-down rivals the ornateness of "Kid With The Golden Arm" and the twist-heavy "Five Deadly Venoms". The always great David Chiang plays a lesser version of his Rover character from "Duel Of The Iron Fist", and Ti Lung, looking incredible here, is at his physical best. Accolades to Chen Kuan Tai and Wang Chung in great sympathetic roles, too. A kung fu classic where the actual martial arts display takes a back seat to the mesmerizing story.

Struggling to survive the murderous gang wars of Hong Kong, Tan Tung, a young martial arts street fighter, successfully takes on all challengers—until he runs up against the savage underworld empire of Hong Kong's Triad mafia. Escaping to San Francisco, he again tangles with criminal gangs, but this time fights his way to the top of the city's most feared gangster organization led by the White Dragon boss.

Pirate Chang Pao-Chai springs a leak after an otherwise successful raid on a foreign ship. He goes ashore to get materials to patch his ship up, where he encounters corrupt Qing officials and poor, oppressed peasants. Being a good man at heart, he decides to help out and becomes an even bigger outlaw in the process.

The majestic Ming dynasty is invaded by the Manchu troops, its upto the Shaolin monastery to fight them and save the fate of the nation.

Shaw Brothers superstar Chi Kuan Chun (Drunk Monkey, Men from the Monastery) wrote, directed and stars in the remake of the Shaw epic Disciple Of Shaolin. In this version he plays the part originally taken by Alexander Fu Sheng, wherein his kung fu skills take him to the heights of the gangster world. Following him is his buddy Jimmy Lee (Hot, Cool, Vicious, Eagles Claw) who fights alongside the man known as The Big Rascal!

When Ti Lung and David Chiang left Shaw Brothers, they returned a year later after learning directing and defied their former studio heroics making films with social leanings. Directed by Ti, The Young Rebel is one such film. Fatherless as a child, Hsiang (Chiang) supports his mother. When gangsters kill his mother, he kills in revenge. Unlike his swordplay heroes, Hsiang admits guilt, expresses sorrow and is imprisoned

Delivery boy Chung rings an order to a local martial arts school. He shows that he too is a kung fu student when he punches a bag and also kicks out the instructor for his money. Chung has a tough life. His father constantly nags him to work hard. One day, his is heckled by Chien-Pe, a disabled thug who runs a gang. Chung fights and beats them up and as a result, he is fired from his job. Chien turns to his boss, Tai Chung, to get Chung.

Little Bastard searches for the parents who abandoned him as an infant, with the help of Little Beggar. He finds his father, who is a powerful and wealthy manl and is taken in by him and his family. Before long Little Bastard is seduced by his attractive cousin, making Little Beggar very jealous. However, the seduction and family welcome are all part of a nefarious plan.

Man of Iron was positioned as something of a follow-up to Boxer From Shantung, the rise-and-fall story of Ma Yung Chen and it reunites the directors and some of the cast in a similar but much slighter tale of a lesser gangster's rise and fall in Shanghai. While the opening narration specifically recalls the events and tragic conclusion of BOXER, this one is set 20 years later in the same section of Shanghai but otherwise has nothing to do with the events or characters of the previous film.