David Ossman

On behalf of "oppressed bugs everywhere," an inventive ant named Flik hires a troupe of warrior bugs to defend his bustling colony from a horde of freeloading grasshoppers led by the evil-minded Hopper.

A white blood cell policeman, with the help of a cold pill, must stop a deadly virus from destroying the human they live in, Frank.

A blacksmith and an amateur gunslinger embark on journey through the west together but soon separate and have surreal experiences of their own.

This PBS special, concocted in support of the wickedly witty Firesign Theatre's "The Bride of Firesign" CD, has the comedy troupe delivering high-octane humor in a number of classic bits. Featured are skits such as "How Can You Be in Two Places at Once When You're Not Anywhere at All" and "Hand Me the Pliers," and characters such as Nick Danger, Jack Poet and Bebop Lobo. Extras include a documentary, excerpts from audio rehearsals and more.

A close-up look at the turbulent world of women's professional wrestling as a New York City waitress decides to become a professional wrestler.

An outlaw kills a marshal and steals his identity; a Pinkerton pursues him across the open country. He must be ruthless to survive.

"Dogs flew space ships! The Aztecs invented the vacation! Men and Women are the same sex! Our forefathers took drugs! Your brain is not the boss!". Great news! Famed dare-demon Reebus Cannibus is going to perform his greatest stunt ever! A leap down the bottomless comet pit to the center of the Earth! Join the fabulous Firesign Theatre for another of their mind-bending journeys as they explore the alien uprising in our midst! Dr. Happy Harry Cox is our guide under the watchful eye of mild-mannered trailer park manager, and member of the Funny Name Club of America, Art Wholeflaffer, as he presents all seekers (one born every minute!) with the key evidence proving the thesis that Everything You Know is Wrong!

A compilation of three short films by the comedy group Firesign Theatre distributed theatrically by New Line Cinema.

This work is Woody's first entry into the narrative sphere, whereby the "story" is continually undermined with the aid of various anti-narrative strategies: In each of the eleven segments of this "electronic opera", different effects are used. Fascinated with the remarkable personality of infamous violinist Niccola Paganini and his complicated relationship to Hector Berlioz (played by artists Ernie Gusella and Robert Ashley, respectively), the author meditates over the intricacies of artistic geniality as connected not only with fame but also with the necessity of painful survival under the pressures of the art market.