Writing
Carmen, an attractive 40 year old woman, suddenly belongs a widow. For her, the emptiness feeling is new and disorienting. Trying to rebuild her life, Carmen finds that men around her are interested in offering her more than a shoulder to mourn. The unexpected pregnancy of his daughter, putting even more pressure on Carmen. She brings her daughter back and to look after the baby together. This becomes one more element to overcome in their efforts to organize themselves.
Set in a crumbling Spanish mansion, this gloriously comic and gothic story follows the fortunes of an innocent young priest as he enters a world of moral decadence, sexual intrigue and corruption of an aristocratic family in nineteenth-century Galicia.
A woman's father dies in a Central American country and leaves her a bizarre inheritance: a ship which acts as a floating brothel under the appearance of being a restaurant. Alejandra, our heroine, decides to put an end to the ship's dissolute activities and use her inheritance as a school. Customers, cooks, waiters and the girls will meet her idea with considerable resistance.
Fifteen years after the plot a lawyer and a military ex-attorney meet and recall the intense days of 1975 when both participated in the decission of war or peace. The film is told in flashbacks of the two protagonists.
Mercedes (Neus Asensi) Mariángeles (Ana Risueño) and Carmen (Miriam Diaz Aroca) need to escape something: the stress of the job, a divorce or a gray and boring existence. And all three are looking for something: a love affair in an exotic country. The destination is Tunisia, land of contrasts, from the deserts and beaches. But far from land into a paradise unprecedented journey undertaken with a group of quirky characters.
Ana works in an office where the things are going very badly. One night after having dinner with nasty rich people, she has a discussion with her husband. He dissapears and then the life of Ana changes: she has incredible luck in gambling.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?
