Directing
In this short film, internationally acclaimed author Margaret Laurence passionately addresses several issues related to peace: the social responsibility of the writer; language usage and reality; jargon and "newspeak"; imagination, meaning and understanding; the nuclear threat; world leadership; the role of empathy in communication; the distinctions between fiction and didactic writing; and the power of "ordinary" people to influence events.
A gentle blend of music, people and nature; a summer camp where melodies ripple off the waves and rhythms bounce out of the shadows. Every summer since 1953, CAMMAC (Canadian Amateur Musicians/Musiciens Amateurs du Canada) has held a bilingual music camp in Québec's Laurentian Mountains. Here, people of all ages and levels of musical ability come together to learn and make music with a professional staff of Canadian and international musicians.
This short documentary tells the true story of Patricia Garner, a woman reluctantly approaching middle age sandwiched between changing social values and the loss of her family role. Illustrating her struggles and successes, this film about newly found courage will inspire everyone.
Filmmaker Bonnie Sherr Klein and former stripper Lindalee Tracy explore the pornography industry by visiting strip clubs, peep shows, and adult film sets while interviewing performers, sex workers, critics, and feminist writers. Through these encounters, the documentary examines the production, economics, and cultural debates surrounding pornography.
This short film was an experiment in using video recordings and closed circuit television to stimulate social action in a poor Montreal neighbourhood. A citizen's committee filmed people's concerns and then played back the tapes for the community. Upon recognizing their common problems, people began to talk about joint solutions. It proved an important and effective method of promoting social change.
From the Organizing for Power: The Alinsky Approach series, this short documentary shows a group of concerned citizens from Dayton, Ohio, meeting and consulting Saul Alinsky on the means of creating an effective organization.
This documentary follows a community action group led by American community organizer and writer Saul Alinsky in Rochester, New York. Together, they confront the community's largest employer on the issue of corporate responsibility and the employment of minority groups.
"This film is one of the first French Unit productions of the “Société Nouvelle/Challenge for Change” program. When an old area of Montréal is to be demolished to make way for a new low-income housing development, is there anything the residents can do to protect their own interests? The film documents such a situation in the Little Burgundy district of Montréal and shows how the residents organized themselves into a committee that successfully influenced the city’s housing policy." - Anthology Film Archives
Women peace activists speak out.
Art, activism and disability are the starting point for what unfolds as a funny and intimate portrait of five surprising individuals. Director Bonnie Sherr Klein (Not a Love Story, and Speaking Our Peace) has been a pioneer of women's cinema and an inspiration to a generation of filmmakers around the world. SHAMELESS: the ART of Disability marks Klein's return to a career interrupted by a catastrophic stroke in 1987. Always the activist, she now turns the lens on the world of disability culture, and ultimately, the transformative power of art.
This short documentary records Anne Cools’ 1978 run for the Liberal Party nomination in Rosedale, one of Toronto's largest and socially most diverse federal ridings. The film records her bid for political power, and explains the nomination contest, a basic step in the Canadian electoral process. Because she was competing against the Liberal Party's preferred candidate, the nomination battle in Rosedale turned into one of the most innovative and fascinating in the history of Canadian politics.
Bonnie Sherr-Klein recalls the early days of Studio D, the women's studio, and the birth of the seminal film Not a Love Story which she co-directed.
