Jan Schmidt-Garre

For us today, Wilhelm Furtwängler is a monument: immense and unapproachable. The documentary Furtwängler’s Love from 2004 provides us with the opportunity to get to know the man behind the conductor. At the centre is his wife Elisabeth, who gives a vivid and thoughtful account of her years at Furtwängler’s side, full of charm and wit.

Balkrishna Doshi (1927-2023) is one of India's most influential 20th century architects and recipient of the Pritzker Architecture Prize. Doshi and his practice Vastu-Shilpa has a portfolio spanning over 70 years, including collaborations with both Le Corbusier and Louis Kahn. The film introduces viewers to his famous buildings and offers an exclusive look into his work process. Doshi shares his sources of inspiration and motivation and is also a brilliant storyteller. His presence of mind, his humor and his wisdom create the image of a man from whom we can not only learn to build humanly, but from whom we can learn – to be human.

When the pianist Francesco Piemontesi hears an unreleased recording of the pianist and composer Sergei Rachmaninoff, it comes as a shock to him. This freedom of playing, these colors and nuances, this virtuosity, which is always presented with a smile, overwhelms him. He decides to explore what he believes he is hearing here: the alchemy of the piano.

A Journey to the Origins of Modern Yoga. Yoga is known to go back to God Shiva, who perfected 8,4 million postures, according to Indian tradition. Far less known is the fact that yoga is at the same time an early 20th century-creation of Indian savant T. Krishnamacharya, which is what this film is about. Krishnamacharya's life and teachings are seen through the eyes of the director on his search for authentic yoga. His journey leads him from students and relatives of Krishnamacharya's such as the legendary teachers Iyengar and Pattabhi Jois to the source of modern yoga: the palace of the Maharaja of Mysore, where Krishnamacharya founded the first ever yoga school. A feature-length documentary including rare historical footage as well as lavish reenactments.

A portrait of the artist Andreas Gursky and his work „Hamm, Bergwerk Ost“. It follows the genesis of the image from conception to construction to contraction and reaction – until it finds its home in a worthy collection holding many of its „siblings“.

John Baldessari is one of the pioneers of conceptual art, which revolutionized contemporary art in the 1960s, and is still a profound influence on young artists today. The film shows John Baldessari in all aspects of his work: as an artist in his studio, with the technicians he collaborates with, as a teacher interacting with his students, as a passionate observer of the contemporary scene and visiting the Biennale in Venice as well as the Basel Art Fair. This film provides us with insights into the work of a radically modern-thinking artist and sharpens our perception of the often inaccessible world of contemporary art.

The dramatization of a severe professional and personal crisis in the life of Anton Bruckner, who has to make the most important decision he will ever make: whether to stay in his hometown of Linz as a teacher and organist or go to Vienna to work as a composer. This period of soul-searching makes his later symphonies all the more powerful.

Orchestra rehearsals with Teodor Currentzis. The House of the Radio of the GDR in Berlin. A young couple in love. The artistic process viewed from the outside – and from the inside. Mahler’s boundary-breaking Third Symphony. What triggered the composition 130 years ago, and what does it trigger in us today?

Stefan Zucker, the world's highest tenor, visits the opera divas of his childhood. The journey from apartment to apartment, from diva to diva, from Rome to Milan, turns into an opera road movie.

The film tells the story of classic black singing against the background of black emancipation in politics and society. This story stretches from the first successes of the bass Paul Robeson, who all his life regarded his voice as an instrument of liberation, to the young singing pupils of the Harlem School of Arts, who identify themselves with their origins in rejuvenated pride. The great African-American singers express their views, as do opera company directors and critics. Historical and contemporary film extracts and specially produced film sequences demonstrate the richness and variety of black singing.

A feature length portrait of conductor Sergiu Celibidache; four years in the making, director Jan Schmidt-Garre collaborated closely with the musical director of the Munich Philharmonic.

Russian-born composer Sofia Gubaidulina entered the international spotlight at a relatively late age, when the 49-year-old came forward with her premier violin concerto, "Offertorium," in 1980. Gubaidulina authored that piece for Gideon Kremer. Curiously, it would be another 12 years before Gubaidulina received a commission (from Paul Sacher) to author her second violin concerto, and another 15 years after that until the notes fell on ears ripe with anticipation. For the debut of the "Second Violin Concerto," Gubaidulina insisted that no one other than German violin virtuoso Anne-Sophie Mutter perform it. That Mutter performance from August 2007 appears, in its entirety, in this classical concert film. Jan Schmidt-Garre directs.

"The Caruso of the trumpet," critics say. "Caruso? The Nakariakov of the tenor voice," they'll say soon. Portrait of the 27-year old genius from Gorki. Sergei Nakariakov, trumpetist from Nizhny Novgorod living in Paris is a phenomenon. He plays the trumpet with a unique virtuosity and at the same time leaves this virtuosity behind. He doesn't play the trumpet, he sings it. He phrases like the great Bel Canto singers who aimed at the true legato. The film presents the 27-year-old musician at his best but it also shows the victim of a soviet child prodigy biography. The mature Nakariakov's breathtaking virtuosity is contrasted with footage of the child whose lips are sore from practicing. Is it true that Sergei was "never a wunderkind", as he claims in the interview?

Opera confronts us with extremes of emotion, sometimes delivering unforgettable, life-changing experiences. Fuoro sacro (‘Sacred Fire’) seeks out singers who have the power to pierce our hearts, presenting three of them at work in the most intimate details of their rehearsals and preparations. Ermonela Jaho, Barbara Hannigan and Asmik Grigorian are watched closely as some of their secrets are revealed: how they inhabit their roles and transform words and notation on a page into that intangible but powerful magic being communicated to audiences from the opera stage. Over 90 minutes of extras are included featuring vocal warm-ups and live performances accompanied by pianists Evgenia Rubinova, Reinbert de Leeuw and Francesco Piemontesi.

A portrait of the Danish artist Olafur Eliasson, best known in Britain for his 2003 installation The Weather Project at Tate Modern. The film, directed by Jan-Schmidt-Garre, introduces Eliasson's work and aesthetic theories as it documents one of his largest exhibitions, 'Notion Motion', at the Boijmans van Beuningen Museum in Rotterdam.

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