Editing
This documentary follows a 70 years old, Angolan nurse on a nearly impossible humanitarian mission into her home country. In a southern region that was specially affected by the long lasting, recent civil war, the local hospital has to be restructured. At this place where accidental death, poverty and lack of hygiene continue to be a part of people's daily life, the subversive presence of mystical forces seem to reinvent the meaning of life.
40-year-old Daniel has been suspended from active police work and is under internal investigation for violence. When Sara, his internet love affair, stops answering his texts he decides to drive north in search of her, starting on what is apparently a fool's errand. He shows Sara's picture around, but nobody seems to recognize the woman. Until eventually one guy pops up, saying he can put the two in touch under very specific conditions.
Luís Mário Lopes wrote the solo A Boa Alma for Mónica Calle in 2015, based on the works of Bertolt Brecht marking the departure of Casa Conveniente from Cais do Sodré and their arrival in the new venue in zona J, Chelas. The original score is by JP Simões.
The legend of Floripes, is about an enchanted moor of Olhão, in the Algarve. Enchanted moors are one of the cornerstones of Portuguese mythology. They are often seductive and being temptresses, they can offer a powerful reward, but also a terrible curse. Left in Portugal during the Reconquista while her family went back to North Africa, beautiful Floripes was condemned to roam her ancient kingdom in the Algarve until a man could undo her curse. Then she would marry him and give him her fabulous treasure. But if the man fails, she must eat his heart.
Adi and Stefan go on an adventure through Latin America with only their guitars and an old school bus. Exposed to hardship and injustice they discover that music transcends all.
A widowed theater actor relives his memory of a young love.
No description available.
Two women in a room. A rainy afternoon. They talk about their desires. Perhaps their wounds. Forms from the past seem to unite and separate them.
The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.
An unflinching, fragmentary look at a handful of self-destructive, marginalized people, but taking as main focus the heroin-addicted Vanda Duarte.
One of the most important figures in contemporary cinema, Pedro Costa's celebrated music documentary is a mesmerizing portrait of French actress-turned-singer Jeanne Balibar, a transfixing, cigarette-smoking chanteuse with an intense devotion to her craft. Photographed in shimmering black-and-white and featuring a soundtrack of jazz-inflected pop songs, the film is a luminous exploration of the creative process.
Undaunted by a commission to make a film about his mentors and aesthetic exemplars, the filmmaking team of Jean-Marie Straub and Danièle Huillet, Costa records with great sensitivity and insight the exacting process by which the two re-edit their film Sicilia!, discussing and arguing over each cut and its effect. Incorporating comments about the influence of figures as diverse as Chaplin and Eisenstein, about the ethical and aesthetic implications of film technique and such matters as rhythm, sound mixing, and acting. The film becomes a tour de force, immersing us in the mysteries of cinema as practiced by some of its greatest creators. Costa calls the film both his first comedy and his first love story.
Com Que Voz is a documentary that recounts the life of Alain Oulman, an important cultural figure during the nineteen-sixties and seventies, who left an indelible mark on Portuguese and French society. The film, shot in Lisbon, Paris and Tel Aviv, features celebrated authors, politicians and musicians, such as: Patricia Highsmith, Amos Oz, Amalia Rodrigues and Mario Soares.
Joáo Bénard da Costa, director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples.
A story about art and educated men, and how their art and culture reveal themselves useless in the face of the harsh realities of the 20th century life.
Film adaptation of "The letter from the hunchback to the locksmith" by Fernando Pessoa's heteronym Maria José.
Life is as unchanging as ever in the village: the sun sets between memories. The arrival of a young outsider changes everything. The old are offered a new gift and they accept it. The dreams awaken an old song which pulses through the village. 'With Fate driving the cart of everything along the road of nothing.'
An impossible love. Two young people who love each other. Vera and João can’t find in this life the space, time, or identity to resolve their love story.
A man died under mysterious circumstances. An insurance company expert has to visit the four women in his life - his mother, his widow, his daughter and his mistress - to find out the causes of death. With each account, the deceased will appear in a new light, to the point where it is doubtful that it is the same man.
