Krzysztof Wojciechowski

Jan and Maria become a couple in 1930s Kraków. Jan tries to get a job as an architect but fails. They struggle with poverty and extreme humiliation. Their attempt to survive leads to a desperate crime.

The film begins with two symbolic scenes: an eagle fluttering in a cage. Cossacks cut down pine trees with sabers to clear the field of fire. It is June 1980. A large rubbish dump near Wólka Węglowa, exactly where Polish cavalrymen charged German troops in 1939. Not far away is the Warsaw Steelworks. A group of former cavalrymen renew their efforts to erect a monument to the Polish cavalry. The cavalrymen stage a reenactment of the charge; it is a commented reconstruction of those events, supported by film documents. A strike breaks out on the coast, then at the Warsaw Steelworks. On radio and television, editor Ryszard Wojna warns the public against a repeat of the events of 1863. This has no effect on the workers' decision. A strike committee is formed at the steelworks, and the workers formulate their demands. The scenes at the steelworks and the strike situations are filmed live.

An adaptation of the 1869 novel ‘The Idiot’ by Fyodor Dostoevsky.

No description available.

No description available.

Two friends are released from prison. While one goes back to the criminal path, the other tries to live an honest life.

Vasyl follows his wife, who escaped to an Orthodox clergyman who is to heal her of infertility.

A thirteen-year-old boy, gifted with a unique fantasy, creates his own, rich world of imagination and experiences.

"Dear Mr. President!" - this is how Zosia Kaczynska titled her letter, asking Boleslaw Bierut - on behalf of herself and her three siblings - to release her mother from prison. This letter did not reach the addressee. Most of the requests for clemency, written by convicts and their relatives, already at the beginning of their journey to the head of state received a note in the prosecutor's office or court: leave without further course. Historian and archivist Janusz Kotanski and former political prisoner Janusz Horodniczy followed in the footsteps of documents found in the archives in search of those harmed by Stalin's repressive apparatus.

Every year, on June 13, for the past thirty-two years, the villagers have gathered to remember one of their neighbors who left his home on that day in 1939 and never returned. His nearest and dearest did not receive information about his death.

A para-documentary film about the holy war that has been going on for years between the peasants of a small village and the management of the State Farm.

A story about the inhabitants of Warsaw's Praga from the late 1970s. There are representatives of the social margin among them, but there are also a collector of works of art, an ex-peasant who keeps raising peacocks, an old woman collecting dolls. This extremely colorful company lives in old, demolished tenement houses.

A documentary film devoted to different memories and narratives of the Volhynia massacres, as they exist among survivors, in the opinions of Polish and Ukrainian historians, and in the consciousness of Ukrainian youth in the early 1990s. The film uses archival footage from the early 1990s, shot during the Ukrainian Culture Festival in Sopot.

A documentary about the Katyn Massacre.