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Amauri Alves

Editing

Known For

O amigo Dunor
7.0

"In the 1970s, Brazil - and much of the rest of Latin America - was ruled by military dictatorships. O amigo Dunor (the friend from the North) is not only set during these 'years of lead', it looks as if the film comes directly from that, as if the cans of film have only recently been found in someone's cellar. ... Marcel, a young French writer, comes to Brazil to fulfill his childhood dream: to get to know exotic Brazil, go to the Amazon and write a book about his experiences. After his arrival in Rio de Janeiro, he quickly makes friends with a group of people working on a crime thriller. Stan is the director of this film, his wife Carla and her daughter Melissa act in it. Julio, an Argentine refugee, is the scriptwriter. This film in the film is about the blind Louis and the handicapped Marta, a married couple with many problems in their relationship and with money … inter-cut with the world of Marcel and his new friends..” - IFFR

O amigo Dunor

2005Movie
Baron Olavo, The Horrible
6.0

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

Baron Olavo, The Horrible

1970Movie