Michel Gauthier

Les Shadoks is an animated television series created by French cartoonist Jacques Rouxel which caused a sensation in France when it was first broadcast in 1968-1974. The Shadoks were bird-like in appearance, were characterised by ruthlessness and stupidity and inhabited a two dimensional planet. Another set of creatures in the Shadok canon are the Gibis, who are the opposite to the Shadoks in that they are intelligent but vulnerable and also inhabit a two-dimensional planet. Rouxel claims that the term Shadok obtains some derivation from Captain Haddock of Hergé's The Adventures of Tintin and the Gibis are essentially GBs. The Shadoks were a significant literary, cultural and philosophical phenomenon in France. Even today, the French occasionally use satirical comparisons with the Shadoks for policies and attitudes that they consider absurd. The Shadoks were noted for mottos such as: ⁕"Why do it the easy way when you can do it the hard way?" ⁕"When one tries continuously, one ends up succeeding. Thus, the more one fails, the greater the chance that it will work."

The series chronicles the adventures of the daring Spirou, joined by his reporter friend Fantasio and his squirrel Spip.

Aging beautician Angèle, already wounded by a long-ago romance, gets awkwardly dumped at a train station. Witnessing how she turns around a humiliating situation, younger sculptor Antoine becomes so smitten that he breaks up with his fiancée and sets out to win Angèle's heart. Meanwhile, Angèle attempts to quash the budding romance of her young co-worker, Marie, and a much older widowed client, despite their obvious rapport.

Between her four children, her husband, her job at the hardware store, and the creditors on her back, Hélène leads a life that dangerously resembles a makeshift camp in a constant state of emergency. She muddles through as best she can.

Christmas 1967, when hockey was played on outdoor rinks. The Boys form the parish's second team and are guaranteed participation in the Holiday Tournament as they are the hosts. Despite limited talent, they dream of victory. Off the ice, they will have to deal with all kinds of moments that one experiences at that age; some funny and some difficult. Together, however, they will face them. Together, they will try to grow, because this is how they have chosen to live: Together.

At the turn of the century, Rose-Aimée, the hard working wife of photographer J.A. Martin, decides to leave her children with an aunt to go with him on his annual tour of the Québec countryside. She hopes the intimacy will rekindle their marriage.

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A woman deals with her mother, an arts professor, plunging into chaos due to Alzheimer's.

In 2001, the government of Quebec announced a new program to issue permits for the construction of private hydroelectric dams at specific sites. Upset, the population took things into their own hands and decided to act. Citizens formed collectives to protect their waterways, among the most beautiful in the province. This documentary follows several artist and citizen groups who led a crusade to force the Québec government to abandon private hydro-electrical production. It is a thorough inquiry on the environmental impact and other repercussions of such projects.

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An ode to rural France and the simple joys of life, Dominique Benicheti's glorious masterpiece Cousin Jules captures the daily routine and rituals of Jules, a blacksmith, living with his wife, Felice, on a small farm in the French countryside.

Violet is new to JoJo’s school. She has a big nose, and lots of trouble making friends. Violet however, has a big big heart and, to be accepted by the others, she is ready to take chances which not everyone agrees with...especially not the school Principal!

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Lucia has left her native Chile and is now living in Montréal, Canada. Here, she tries to start a new life as an art teacher while also dealing with the painful memories of the coup d'etat that overthew the democratically elected government of Salvador Allende and drove many Chilean into exile.

In the maternity ward, Céline awaits the arrival of her first child.