Directing
Few films wield the awesome spiritual power of Jazz Dance, on which Leacock was one of two cameramen charting the slow, smoldering build of a Manhattan dance club from idle space to explosive, carnal bacchanal. Employing handheld cameras, limited light and sheer proximity, the film achieved an intimacy never before witnessed in a documentary.
Three hopefuls try to earn a position as a member of the United States men's national volleyball team. The try-outs are extremely competitive and they find very difficult to handle the unconventional and rigorous training methods developed by the team's coach
