Li Han-Hsiang

The Taipei Golden Horse Film Festival and Awards (Chinese: 台北金馬影展; pinyin: Táiběi Jīnmǎ Yǐngzhǎn; Pe̍h-ōe-jī: Tâi-pak Kim-má iáⁿ-tián) is a film festival and awards ceremony held annually in Taiwan. It was founded in 1962 by the Government Information Office of the Republic of China (ROC) in Taiwan. The awards ceremony is usually held in November or December in Taipei, although the event has also been held in other locations in Taiwan in recent times

Sensual Pleasures features a collection of three, ghost story, sexual vignettes starring a viscerally sensual trio of hardcore experience with the well endowed Chen Ping, Chinese adult film legend Shirley Yu and the innocent doe-eyed Shaw Yin-yin.

Two stories are included in this erotic/romantic anthology. In the first, a Sung-Dynasty (10th-13th century) Buddhist monk is tricked into sexual relations with an unscrupulous female adventurer. He dies soon after with his misdeed on his conscience. In the second, the daughter of a woman who died in a brothel discovers that her mother died an unnatural death and seeks revenge.

A corrupt local official, Xi Men Qing, who lusts after women and money, pursues his brother's young wife, Lee Ping Er. Ping finds Men attractive, and under her drunken husband's nose, she and Men work their way through the illustrations of a pillow book, the "Golden Lotus." Men pursues the same feat with his fourth concubine, Pan Jing Lien, who lives in the compound next to Ping. Jing's jealousy compounds a tale of humiliation, childbirth, death, and depravity. Does karma or enlightenment await anyone?

Helmed by the aesthetic Li Han-hsiang, The Amorous Lotus Pan features former Blue Jeans band member Shan Li-wen in a dual role as Wu Sung and Hsimen Ching. The reverse narrative tells the story of Wu Sung, who was pardoned from prison and seek the libidinous Pan Chin-lien (Huang Mei-tsing) to avenge his brother's death. The remorseful Pan recounted her pathetic life, which began when she was traded to the rich Changs as a maid. But she was raped by her master and flirted with Hsimen Ching and other gentleman callers

Golden Lotus is based, in part, on Jin Ping Mei, a famous erotic novel of ancient China. Li Han-Hsiang adapted part of the story into this film, which starts with Hsi Men Ching, a successful merchant, wooing Pan Chin Lien, the beautiful wife of one of the townspeople.

Sin Pal and Hei Sin Lam star in this erotically charged film about two women who are both driven into a life of prostitution but for very different reasons. The first story involves a husband who punishes his wife for cheating; in the other story, a teenager must escape a strange betrothal to an 8-year-old boy.

No list of the screen's comic geniuses would be complete without Michael Hui Kwun-man. He created a hilarious and lovable comic persona that was both uniquely Asian but also universally beloved. This, his first film, not only showcased his incomparable sense of humor but revolutionized Hong Kong comedy. Evoking Chaplin, he plays a warlord in early 20th Century China, but makes the role his own with both laughs and some of the sexiest ladies on the Shaw Brothers lot.

TIGER KILLER (1982) is a straightforward adaptation of one story from the sprawling Chinese literary epic, "The Water Margin." It tells the tale of Wu Song, who slays a man-eating tiger preying on farmers and villagers and becomes the hero of the province, getting appointed as a constable by the local magistrate. He is reunited with his older brother, the short, disfigured Wu the Elder, a peddler of buns, who invites Wu Song to move in with him and his new wife. The wife, Golden Lotus, is an attractive young former maid who had been forced to marry Wu the Elder as punishment for getting caught in bed with her master by the master's wife. She takes a liking to the handsome, strong Wu Song, who rebuffs her attempts to seduce him. When Wu Song is sent on a long journey, the wife begins an affair with a rich local merchant. When Wu Song returns from his mission, he is met with shocking news which sets off a series of violent acts of retribution.

An old man of the village tells kinky ghost stories to a few of it's inhabitants after all the kids have gone to bed. What follows are stories that have horror elements and some soft-core nudity thrown in.

shaw production

Contains a trilogy of stories that on the surface level all relate directly to lust

Three inmates in an asylum tell their stories. Story 1, a husband and wife discover they should be careful what they wish for. Story 2, a naked female ghost gets revenge from her watery grave. Story 3, a dead prostitute returns as a ghost.

Shaw Brothers superdirector Li Han-Hsiang was particularly masterful in two genres: erotica and classic Chinese tales. He combined these two loves in this two-part examination of lust. The first story features an elderly jeweler's adventures with his unsatisfied wife, a handsome neighbor, and the neighborhood bordello. The second is a more modern tale of sex, lies, and videotape.

Pao-yu is in love with his cousin, Lin Tai-yu, but his family has other marital plans for him that will leave both broken-hearted.

Han Hsiang Li's lush epic re-creates the fascinating life and times of Tzu Hsi, the Manchu Qing dynasty empress who rose from the ranks of Emperor Xianfeng's many concubines to become the de facto ruler of China for nearly 50 years.

The renowned Li Li Hua plays Wu Ze Tian, the most famous woman in China's four thousand year history.

Li Han-hsiang, one of the most experienced and respected filmmakers in Hong Kong, wrote and directed this charming and fascinating comedy of amorous complications and modern morals in the very middle of his forty year career. The two cities are Macau, where a love quartet is the source for sexy merriment, and Hong Kong, where a gambler tells a charming woman why there are four shackles hanging from his apartment ceiling!

Tang Dynasty emperors, Ming Dynasty scholars, assorted fortunetellers, and several Buddhist monks figure in a trio of erotic and mystical Chinese legends.

Despite Kuang Hsu's enthronement as the last reigning Emperor of China, his ability to rule effectively is overshadowed by the ever-present power of the Dowager Empress.