Chu Mu

Hsiao Hu has been secretly training in martial arts, as his father (Tien Feng) has forbidden him. Later, some local store owners ask Ah to help protect them from a greedy Chinese extortion ring. Ah discovers that the crime lord behind the extortion had killed his father years before and is determined for revenge.

A family gathers to be with its dying father. The reunion brings to the surface old rivalries.

Incriminating evidence against a gang is left in a cab when a gang member dies in it. The gang chases the innocent cab driver, who receives help from the dead gangster's sister - a tough police woman.

The kingpin of the Manix Private Detective Agency and his fellow detective solve cases together.

Historical movie set during the Japanese occupation of China during WWII. Jackie Chan is one of the good guys but has nothing much more than a supporting role.

Based on one of China's enduring epic novels, written in the 14th century, "All Men Are Brothers" continues the patriotic story of righteous warriors battling despotic leaders, featuring mythic characters familiar to every Chinese, and with a cast that has achieved an equally celebrated status among Shaw Brothers devotees.

An awakened immortal warrior struggles between defending the emperor and the actress he believes to be his love of old.

Insurrection deposes the tyrannical first emperor of China during the evil Qin Dynasty. Warrior/general Xiang Yu and the cunning peasant Liu Pang join forces to win through civil war. Xiang Yu's weakness for Lady Yu combine with Liu Pang's treachery result in Liu founding the legendary Han dynasty

The renowned Li Li Hua plays Wu Ze Tian, the most famous woman in China's four thousand year history.

After an unsanctioned match between a Chinese martial arts student and a Thai boxer results in disgrace for the Chinese, they determine to train and salvage their master’s reputation.

A band of fighting Ming Dynasty loyalists branded as enemies of the state are driven underground following the burning of the Shaolin Temple by Qing Dynasty officials. Due to a misunderstanding, Shaolin kung fu prodigy Fong Sai-yuk is duped into helping Qing agents to capture leading Shaolin rebel Hung Hei-gun. Upon discovering his mistake, Sai-yuk teams up with the remaining rebels to free Hei-gun before his planned execution. Plotting to stop them is General Che Kang, a formidable Tibetan kung fu master who commands an army of fighters including four deadly Tibetan llamas.

Man of Iron was positioned as something of a follow-up to Boxer From Shantung, the rise-and-fall story of Ma Yung Chen and it reunites the directors and some of the cast in a similar but much slighter tale of a lesser gangster's rise and fall in Shanghai. While the opening narration specifically recalls the events and tragic conclusion of BOXER, this one is set 20 years later in the same section of Shanghai but otherwise has nothing to do with the events or characters of the previous film.

This gripping story centers on the romance between Wang Chin Lung and Sue San. Although they may be perfectly matched when it comes to their love for one other, the two come from remarkably different social ranks. While Chin Lung is the son of a respected government official, Su San is a prostitute, albeit a famous one.

Hsi Shih: The Beauty of Beauties was one of the most ambitious films made in the Taiwan film industry in the 1960s. After leaving The Shaw Brothers studio in Hong Kong and moving to Taiwan, filmmaker Li Han-hsiang mounted this historical epic. Told through the story of Xishi (Hsi Shih), one of the 'Four Great Beauties' of Chinese history, the film portrays the war between two Chinese Kingdoms during the Warring States Period (475-221 B.C). After the kingdom of Yue is defeated by the kingdom of Wu, King Goujian of Yue takes pains to prepare for his revenge and rebuild his country. Knowing that King Fucha of Wu is lewd and lustful, he offers Xisi to the court of Wu to serve as Fucha’s concubine, with Fucha unaware that she is also a spy. She uses her charm to draw Fucha away from his office and governance, while King Goujian rallies his forces together to attempt to reclaim his lands.

In this dreamy romance set in China during the fourth-century, a young woman convinces her parents to allow her to dress as a boy and attend university.

Wu, a prisoner is sent into exile where he becomes friends with Shih En, a prison officer. He later helps Shih in fighting a local thug named Chiang who has forcefully taken over Shih's restaurant.

The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.

Perhaps the most notorious concubine in Chinese history, Yang Guifei set a pudgy standard of beauty in her days of glory during the Tang dynasty. The Emperor Minghuang was so besotted with the woman that when An Lushan stages his rebellion against the empire, the ruler takes Yang Guifei along with his imperial entourage in an escape to the mountainous area of modern-day Sichuan, and sanctuary of sorts. But the concubine had roused the jealousy of the court and unfortunately for her and to the great sorrow of the king, her brother and others among the king's retainers demanded she be strangled to death while they were still in the mountains. This is the story told in this interesting Taiwanese adaptation by director Li Han-hsiang (Li Hanxiang).

About a woman who disguises herself as a man to take her father's place in the army.

No list of the screen's comic geniuses would be complete without Michael Hui Kwun-man. He created a hilarious and lovable comic persona that was both uniquely Asian but also universally beloved. This, his first film, not only showcased his incomparable sense of humor but revolutionized Hong Kong comedy. Evoking Chaplin, he plays a warlord in early 20th Century China, but makes the role his own with both laughs and some of the sexiest ladies on the Shaw Brothers lot.