Elliott Erwitt

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

Nearly fifty years after her death, Marilyn Monroe remains an absolute icon, the image of a superficial and sensual blonde forever etched in the collective imagination. But behind the legend lies a more complex reality: that of Norma Jeane Baker, a young woman abandoned by all who constantly lurched from euphoria to the depths of despair. Throughout her life, Marilyn attempted to free herself from her image and access her truth. You will discover the little-known episodes from the last years of the star's life. Why did she abandon Hollywood and move to New York under an assumed name in 1954? How did she end up locked away in a psychiatric clinic after filming "The Misfits"? What did her diaries contain? What was her relationship with her psychoanalyst? Finally, under what circumstances did this 36-year-old woman meet her death? Using numerous testimonies and archival material, the teams paint a portrait of a mysterious and tormented personality.

Heinz Bütler interviews Henri Cartier-Bresson (1908-2004) late in life. Cartier-Bresson pulls out photographs, comments briefly, and holds them up to Bütler's camera. A few others share observations, including Isabelle Huppert, Arthur Miller, and Josef Koudelka. Cartier-Bresson talks about his travels, including Mexico in the 1930s, imprisonment during World War II, being with Gandhi moments before his assassination, and returning to sketching late in life. He shows us examples. He talks about becoming and being a photographer, about composition, and about some of his secrets to capture the moment.

The film tells the story of the intimate and unprecedented encounter between the photojournalists of the Magnum Agency and the world of cinema. The confrontation of two seemingly opposite worlds – fiction and reality. For 70 years their paths crossed: a family of photographers, amongst them the biggest names in photography, and a family of actors and filmmakers who helped write the history of cinema, from John Huston to Marilyn Monroe to Orson Welles, Kate Winslet and Sean Penn.

Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.

A behind-the-scenes and in-depth look at the making of John Huston's The Misfits (1961).

Survey Marilyn Monroe’s life through photographs, from Hollywood stills to candid pictures snapped on the streets of New York.

A short documentary about Arthur Penn.

Presents an intimate view of four decades of the Swiss-born artist Robert Frank who has had an extraordinary influence on contemporary photography and filmmaking. This documentary which examines his life through his films and photographs, includes interviews with many of his collaborators and contemporaries. Written, directed and edited by Philip Brookman, Amy Brookman

Dustin Hoffman’s most challenging physical transformation occurred early in his career, when he undertook the role of Jack Crabb in the big screen adaptation of Thomas Berger’s novel, Little Big Man (directed by Arthur Penn). The role required Hoffman to portray a character who lives well past the age of 100. In The Many Faces of Dustin Hoffman, director Elliott Erwitt is providing a rare behind-the-scenes look into the process of movie-making. In this brief film, Hoffman discusses the craft of acting in general, but also talks specifically about his approach to the Jack Crabb character. This insider's glimpse into the mind of one of our greatest actors is a rare treat for both fans of Hoffman and anyone interested in the process of acting.

Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.

Distinguished as both a documentary and commercial photographer, Erwitt has made some of the most memorable photographs of the twentieth century including astonishing scenes of everyday life, filled with poetry and special wit.

1963. USA. Directed by Elliott Erwitt. 25 min. In Elliott Erwitt's Red, White and Bluegrass, the photographer's signature warmth comes through in candid moments capturing the homespun charm of bluegrass musicians in rural North Carolina. Screened at the Museum of Modern Art in New York on July 1, 2017 as part of "Magnum Shorts: American Stories". Accompanies "Beyond the Frame: International Cinema by Magnum Photographers."

Everyone should try nudism is the over-arching message from the contestants at the Mr & Ms Nudist California Pageant. Erwitt is granted rare, unrestricted access to film the nudist contest from beginning to end. The judges are the only ones who are clothed.

In 1940, the Kilgore College Rangerettes became the first dancing drill team in the nation. They have been performing at half-time shows during college football games ever since.