Acting
American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.
What are the secrets of our favourite TV shows? Famous names from both sides of the camera reflect on making some of the most popular and influential programs of all time.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
Antonin Dvorak’s next to last opera draws its substance from the underwater wonderland of little mermaids, Undines and Melusines: the water nymph Rusalka falls hopelessly in love with a prince and, although she is willing to sacrifice her voice to acquire the human form she needs in order to stay with him, the disparity between them proves to be too great. Jaroslav Kvapil’s libretto inspired Dvorak to compose a masterpiece, a compelling opera full of poignant lyricism and dramatic twists. Ádám Fisher and Stefan Herheim masterfully presented this ‘lyrical fairytale’ at La Monnaie in 2008. In this widely acclaimed interpretation, the fairytale elements sometimes assume frighteningly realistic dimensions so that one might see this enchanting production as a psychoanalytical study of male fantasies and female archetypes.
A spellbinding film of Benjamin Britten's hauntingly beautiful chamber opera, Curlew River, made to celebrates its 60th anniversary. The standout cast is led by internationally acclaimed tenor Ian Bostridge, as the Madwoman, in a performance lauded as 'heart-wrenchingly poignant', alongside the towering presence of Sir Willard White as the Abbott. Set in the ancient Fenlands of East Anglia, the parable's deeply evocative story tells of a broken woman driven to despair as she searches for her missing child along the banks of the Curlew River. This groundbreaking film interweaves live performance with filming in the Fenlands, framing the action along the hidden paths, on the waterways and under the huge skies of Suffolk's timeless landscape.
Eighty years on from the announcement that brought joy and relief to the nation, join in with moments of remembrance from across the UK to pay tribute to the heroes of the past.
A summit meeting at the Philharmonie de Paris: the Orchestre de Paris joins forces with conductor Klaus Mäkelä and soloists Sol Gabetta and Willard White for a concert dedicated to Dmitri Shostakovich and William Walton.
The first ever staging of Jörg Widmann's opera Babylon. Presented by the Bavarian State Opera in Munich, directed by Carlus Padrissa (La Fura dels Baus).
Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialization of a society in which the ultimate crime is not having money
The staging of Béla Bartók's opera Bluebeard's Castle at Opera national de Paris, a collaboration of La Fura dels Baus and Jaume Plensa.
Condensing the life stories – memories of prison in Silesia – related by Dostoyevsky in his work The House of the Dead, Leoš Janáček composed an opera filled with burning desire and longing. Contagious savagery, cruelty and brutality are exacerbated by the confines of the prison. However, within its concrete walls emerge both tenderness and cruelty at the sight of an injured bird; a multitude of stories and highly personal monologues. With this production, first performed at the Wiener Festwochen in 2007, the Paris Opera pays tribute to Patrice Chéreau.
Headlined by Dawn Upshaw, Lorraine Hunt Lieberson and Willard White and orchestrated by the Berlin German Symphony Orchestra, this Nativity oratorio from composer John Adams tells the magical story of the birth of Christ. Conducted by renowned maestro Kent Nagano, this moving experience draws on both Old World and New World sources to re-create this influential story, highlighted by Adams’s trademark minimalism and melody.
Noble Moroccan Othello finds his life with beautiful, fiercely loyal Desdemona thrown tragically out of balance when secretly jealous, scheming confidante Iago begins an insidious campaign of lies and treachery.
A major work from the remarkable partnership of playwright and poet Bertolt Brecht and composer Kurt Weill, Mahagonny was first performed in Leipzig in 1930. Its first ever Royal Opera staging, by Associate Director of Opera John Fulljames, is sung in English, and conducted by Mark Wigglesworth – recently announced as the successor to Edward Gardner as Music Director of English National Opera. Mahagonny is a satire on money, morality and pleasure-seeking among the dubious citizens of a fictional city. The richly varied, jazz-infused score, influenced by ragtime music, includes such irresistible melodies as the ‘Alabama Song’ and many dramatic ensembles. The superb cast includes Kurt Streit as the wild lumberjack Jimmy, Christine Rice as his sweetheart Jenny, Anne Sofie von Otter in a welcome return to The Royal Opera as the cunning Leokadja Begbick, and Peter Hoare and Willard W. White as her helpers and fellow-fugitives Fatty and Moses.
Live from Southsea Common in Portsmouth, Huw Edwards introduces coverage of the National Commemorative Event taking place to mark the 75th anniversary of D-Day.
The opera, inspired by Euripides’ tragedy The Bacchae, is as seductive as it is topical: When Dionysus – is he a charlatan? is he a demigod? – bursts into the intact world of ancient Thebes, he plunges a city into chaos. In stark contrast to his cousin, King Pentheus, who leads a life marked by purity and asceticism, Dionysus preaches intoxicating excess and sensuality. Aware of the story’s political dimension that resonates in present day politics, Krzysztof Warlikowski brings one of his famed psychological stagings to the Felsenreitschule in Salzburg. In the gigantic three-part set of Malgorzata Szczesniak the captivating tale unfolds like a film using split-screen techniques .
One night in Judea, a disabled shepherd boy-turned-beggar and his mother are visited by three strangers. They are the Three Kings, and they are on their way to Bethlehem to visit the Christ Child, who has just been born.
In the early 1900s, the fictional Catfish Row section of Charleston, South Carolina serves as home to a black fishing community. Crippled beggar Porgy, who travels about in a goat-drawn cart, loves the drug-addicted Bess, who lives with stevedore Crown, the local bully.
Simon Rattle conducts the Berliner Philharmoniker in Stepháne Braunschweig's production of Richard Wagner's Die Walküre. A Festival d'Aix-en-Provence 2007 production, in coproduction with Osterfestspiele Salzburg. Directed for HDTV and video by Don Kent.
The three main soloists have voices on a scale that can compete with these flashy production values – White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. Recorded live at the Salzburger Festspiele, 1999.
