Wim van der Linden

A rude man goes to restaurant 'Bon Appetit' and orders practically everything on the menu.

Sjef van Oekel escapes from prison and heads for a restaurant. Unfortunately there is nobody there to annoy. Even at the train station he is ignored by former colleagues and he ends up alone.

"This beautiful example of far-fetched blasphemy accompanies a happy, ugly nun into the woods for her constitutional, replete with charming bird noises. Praying to and fondling a priapic mushroom, she is unaware of the evil rapist shadowing her. When the rape occurs, it is in long shot, hidden from view, under a huge tree. Articles of clothes and her cross sail through the air; the tree - entirely dominating the screen - sways rhythmically and repeatedly. A few minutes later it stops; then another tree, a few feet away, begins to sway in identical fashion. The rapist finally emerges, exhausted." (Amos Vogel, Film as a Subversive Art)

Van Oekel's Discohoek was a Dutch television show, aired on VPRO in 1974-1975. The show, written by Wim T. Schippers and produced by Ellen Jens, starred Dolf Brouwers as Sjef van Oekel, and parodied music television programs of the era. Artists lip-synched their songs, but were frequently interrupted and insulted by van Oekel. The show had a real coup when Captain Beefheart made an appearance.

A nearly 30 minute long conversation in a living room party. Unlike in a regular TV play the jabber conversation can hardly be understood. Sometimes a line or two can be picked up. There's an intermezzo when Schippers alias Jacques Plafond comes to play one of his 'modern' piano pieces, to the disgust of the party's guests, whose chattering in the end isn't far removed from the piano play.

The Fred Haché Show is an absurdist program with a lot of nudity (performances by naked dancers from the Helen Le Clerq Dancers), linguistic humor, nonsense, satirical sketches, and illogical plotlines.

An ode to multi-talented artist and radio and television producer Wim T. Schippers by absurdist Ronald Snijders. In a cheerfully disruptive manner, Snijders guides the viewer through a richly illustrated overview of Schippers' work, where they meet the man who could both seduce and intentionally bore, confuse, shock, and irritate Dutch television viewers. Many clips of Schippers became legendary, such as Queen Juliana cleaning Brussels sprouts, a naked Phil Bloom reading the newspaper, and the shows featuring Barend Servet and Sjef van Oekel. Schippers wrote the sheepdog play Going to the Dogs and has been the voice of Ernie in Sesamstraat for many years.

The television program was built around the character Barend Servet, played by IJf Blokker, who had first appeared in De Fred Haché Show in 1971. Other characters returning from the Haché Show were Sjef van Oekel (played by Dolf Brouwers) and Fred Haché (played by Harry Touw). In typical Schippers fashion, the program, like its predecessor, derived its comedic effects from crude humor, silly costumes or nudity, chaos, and absurdism; it combined the trivial and banal with controversial content. There were four episodes and a Christmas special, "Waar heb dat nou voor nodig?". For the Christmas special, two songs were written by Wim T. Schippers and Clous van Mechelen for Dolf Brouwers: "Vette jus" and "Juliana onze vorstin".

Het is weer zo laat!, also known as Waldolala, is a Dutch television show from 1974, written and directed by Wim T. Schippers and co-produced by Schippers, Gied Jaspars, Wim van der Linden en Ellen Jens. It was the last TV show written for Dolf Brouwers, who had played the character Sjef van Oekel in previous shows. The show ran for ten episodes, and featured Brouwers as Waldo van Dungen, formerly a waiter at the night club Waldolala, who had acquired the club after a rich woman fell in love with him and bought the place for him. The show featured other characters from the previous shows Schippers had done for the VPRO, and shared many other characteristics—nudity, vulgarity, linguistic games. The plot line and individual scenes were typically chaotic; in the end, van Dungen dies and it is revealed that the entire series of events was a kind of flashback told by van Dungen's psychiatrist. The show's alternate name, Waldolala, was explained by Waldo van Dungen as a combination between his first name and the phrase "Oh-la-la". It was also part of the title of the theme song, a "megahit" for the girls group Luv', a group formed by producer Hans van Hemert, who had been commissioned to write the show's theme song. Luv' had had two modestly successful singles with ABBA-esque songs, but van Hemert wanted to try a different style of music; Schippers and Jaspars pushed him, and van Hemert agreed to have Luv' sing the tune. They performed "U.O.Me" on the show, and the song became a hit--in hindsight, van Hemert credited the VPRO with the band's commercial success.

Rebellious youth program that causes a great stir by breaking societal taboos. 'Hoepla' portrays 'underground' culture, but the Netherlands is not yet ready for this in 1967. Public nudity and drunken soldiers cause many viewers and various members of the House of Representatives to condemn the program. Only three episodes are broadcast. Although 'Hoepla' gives the VPRO an innovative image, the broadcasting management decides to take the program off the air after much negative criticism and the associated loss of members. 'Hoepla' will always be mentioned in the same breath as the bare breasts of fashion model Phil Bloom. The program is produced by Hans Verhagen, Wim van der Linden, and Wim T. Schippers.

Dick Bakker convinces Onno Bosman to produce a stage show about the sinking of the cruise ship 'Onan' and hires Fred Haché, Barend Servet, Sjef van Oekel and Ir. Van der Pik to star.

The film shows, in an almost motionless camera setting, a frumpy 1960s interior. The viewer sees a dresser with a vase of tulips atop it. Swelling music accompanies the camera as it slowly zooms in on Holland’s national flower. In the carefully constructed staging, it is like a visual sledgehammer when a single petal suddenly comes loose and falls. Then the camera modestly pulls back.

A young farmer's wife brings her husband something to eat in the field during summer time.

The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.

Filmed by WDR, featuring excerpts of a concert, some backstage shots, autograph signing, various bits of banter, a train trip to Devon, and a visit to a Scottish castle.